Mark Twain, "Turning Point"
In "The Turning-Point of My Life," Mark Twain confesses that "the most important feature of my life is its literary feature" (Twain, ii). Although Twain's literary output is perhaps best remembered for fiction like Huckleberry Finn, "The Turning-Point of My Life" is a work of non-fictional memoir. However "The Turning-Point of My Life" utilizes a specific literary device to accomplish much of its storytelling goals. This is the literary device of irony, which can be loosely defined as saying one thing but meaning another, while expecting the reader to note the two different senses and react, frequently with laughter. Irony is, of course, not invariably funny -- many tragedies, like the story of Oedipus, are built upon a larger ironic structure which hardly makes us laugh. But the most important thing, according to literary scholar Wayne Booth, is that the author and reader both recognize that irony is taking place: as Booth writes in The Rhetoric of Irony, "the whole thing cannot work at all unless both parties to the exchange have confidence that they are moving together in identified patterns" (Booth 13). Therefore, in examining "The Turning-Point of My Life," it is important to realize that Twain is to some extent playing a rhetorical game with the reader, and the reader's job is to recognize the game in order to understand Twain's real meaning.
In order to establish what the rhetorical device of irony is, and the way that Twain uses it, let us look at an incident that Twain recounts towards the middle of "The Turning-Point of My Life." This is an autobiographical piece not a work of fiction, however, as Ben Tarnoff has noted, "ironic narcissism...
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