Though Medea has been repeatedly referred to as a 'witch' with magical powers, she being the niece of Circe, she is, first and foremost, a woman. She is as much a human being as anybody else, and at the same time, she is in the possession of Divine powers, and this is what helps her get out of Greece and out of her husband's life. (Theater Reviews) Medea has been

Medea's Children: Revenge And Euthanasia Over the course of Euripides' play Medea, the protagonist makes five truly significant speeches which seem to provide the outline for the plot. In these speeches Medea addresses the audience or the chorus of women, among whom she seeks a measure of justification and self-understanding. From the beginning her motivation and determination in destroying Jason's new family is obvious. However, her thoughts regarding the death of

Medea Life was hard for women in Greece (or Corinth) as Medea notes in her 1st speech, when she calls upon the "white wolf of lightning to leap" and "burst" her and "cling to these breasts" like a baby. What is she saying? She wants to feed the wild forces of nature. This indicates that there is a great surge of power and rage in Medea -- and the reason, of

Medea as Tragic Hero The pattern of the tragic hero was first defined by Aristotle. Aristotle's work The Poetics discusses the art of Greek tragedy, and defines the rules for a tragic protagonist. If we examine these rules from Aristotle alongside the Medea of Euripides, we may see how Euripides observes or breaks the classic pattern. I suggest that Euripides observes more rules than he violates, to better emphasize those aspects

Aristotle's Poetics Elements of Tragedy According to Aristotle, tragedy needs to be an imitation of life according to the law of probability or necessity. Tragedy is serious, complete, and has magnitude. It must have a beginning, middle, and end and be spoken in language that is fit for noble characters. Furthermore it must be acted, as opposed to epic poetry, which is narrated. Tragedy shows rather than tells. Finally it must result

As Jason states,"Twas not for the woman's sake I wedded the king's daughter, my present wife" (Euripides 547). This shows that he has no real regard for his new wife. He also goes on to describe how they will benefit from the marriage. In part, Jason is telling the truth. He has married to further his position. His lie to Medea is that he pretends he has done it