" p. 162 Ahab has taken the power and autonomy given to him as a ship's captain and set himself against God and nature over the loss of his leg. It is this hubris that will bring the Pequod to her doom.
By the end of the novel, Captain Ahab seems to realize that even as great as he apparently thinks he is, he may not be able to master Moby-Dick. Even at this point, he cannot humble himself and admit that some forces may be greater than him. He says, "By heavens man, we are turned round and round in this world, like yonder windlass, and fate is the handspike." (p. 536) He has shown a belief in fate, bringing on board a man who seems to be a sooth-sayer, and who predicts Captain Ahab's death, and the predictions seem to be coming true. This is convenient for Captain Ahab; he can still be great even though he can't conquer fate. Who can?
After three frustrating and dangerous days, it is left to Captain Ahab himself to harpoon the beast. He is quite willing to do this. This makes the reader wonder once again why Captain Ahab is so driven. The whale has really not harmed him. He survived a horrible injury long before we had good surgical methods or antibiotics. While he does have a "peg leg," he gets around well enough to captain a whaling ship through even the roughest seas. There is little he can't do; he can even get down into a whaling boat and go on the hunt himself, throw the harpoon that will bring a mighty animal down. So where is his real loss, after all? Perhaps the pain he had to endure drove him mad, or the experience of being attacked by such a huge animal, but maybe he was just a man with a colossal ego and a remarkably unforgiving nature.
The book suggests that...
Moby Dick and Nature, How Nature Displays an Indomitable Force Moby-Dick provides different conducts of human beings towards nature. Melville presents a sea animals' world with a white whale as the focus of the narrative and a society represented through the Pequod. Through underlining the conflict between the Pequod, and the white whale, the author of the novel makes a unique, thorough and intensive check out into the link amid human
.. (is) blasphemous!" (pg. #). This is yet another foreshadowing device, for it shows that Moby Dick is nothing but an animal with no conscience and that Ahab's need for revenge will inevitably lead to his own death and that of the entire crew aboard the Pequod. In a very moving moment in the chapter "The Musket," Starbuck's moral ethics are put to the supreme test, for after a severe typhoon,
Melville and Clarel Introduction Herman Melville is typically mostly known for his novel Moby-Dick, but the prose writer turned to poetry in his later years after his novels (following Moby-Dick) failed to be best-sellers. Poetry, it was thought, would be a creative outlet for him that would refresh his reading audience and spark new life into his readership and following. The attempt failed to produce much of anything in the way of
The character Ahab's pursuit for Moby Dick is similar to society's pursuit for Hester's as a symbol of their passion for (and against) sinfulness. For Ahab, Moby Dick is a desire that has turned into a passion because its elusiveness; his not being able to capture the great whale became a source of frustration from him. Passion eventually develops as a result, where Ahab does not care anymore whether
travel motif in three novels. The Scarlet Letter, Moby Dick and Huckleberry Finn are compared and contrasted regarding their travel motifs. There were three sources used to complete this paper. For one to understand and extract a travel motif from any novel one must understand what a motif consists of. A motif is a recurring and persistent theme that is used in any area of work including literature. In three
Melville’s Spouter Inn Some of the best descriptive essay examples can be found among the writings of the greatest authors. Consider a chapter in Moby-Dick by Herman Melville: every chapter of that book is like a mini-descriptive essay. Look at the way Melville uses description to create atmospheric effect in the first line of “Chapter 3: The Spouter Inn” from Moby-Dick: “Entering that gable-ended Spouter-Inn, you found yourself in a wide, low,
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