Music and Gezi Park Protests When the mayor declared the destruction of the historic park in the heart of Istanbul to build a shopping mall, local people began camping there in order to prevent heavy equipment vehicles from entering. Following the attack of the police, protests spread throughout Turkey, specifically in Ankara and Izmir (Aknur). Although such events have become the routine in recent years, the Gezi Park Protests were not the usual kind. It was the first time that a huge amount of people experienced police violence in a big city. And for the first time people from various ethnic backgrounds, different religious beliefs, and different political views were united as one group in “capuling”—a reference to Prime Minister Erdogan’s belittling characterization of the protestors as “marauders,” a term the protestors happily embraced, just as anti-Clinton crowd in America embraced their characterization as “deplorables” during the 2016 U.S. presidential election campaign. In Turkey, the capuling crowd agreed on one thing: they had to defend their streets to protect their rights. The crowds drew significant support from across the country and the world, as musicians big and small came to support the cause (with MTV even documenting the event). This paper will analyze how music was involved and used during the Gezi Resistance. First, it will summarize the events that led to the protests. Then, it will discuss how musicians like Duman, Bosphorus Jazz Choir, Beduk and other artists both local and international showed their support and responded to the government crackdown. Lastly, it will discuss how the local people used music in their very own “cacerolazo” demonstrations—by using pots and pans to bang out their support of the protest.

The protests in Gezi Park were a long time coming. For years, the people of Turkey had been subjected to the ruling party of Prime Minister Erdogan—the Justice and Development Party, or AKP for short (Aknur). Erdogan did not see the protests as an organic movement by the Turkish people in Istanbul: “The ruling elite perceived these protests as a pre-planned uprising targeting Prime Minister Erdogan that was part of global conspiracy to overthrow his government” (Aknur 296). The government dismissed them with belittling words, the police were sent in to disperse the crowds, using water cannons and tear gas—yet the people continued to show defiance. They were tired of AKP and its...

These protestors were “all supported by dense informal networks such as neighborhood platforms, cultural centers and support groups” (Aknur 298). Social media was used to help spread the resistance (Odag, Ulug, Solak) and all over the country, “formal groups such as associations, unions, confederations and political parties also started to participate” (Aknur 298). The protestors adopted the identifying tag applied them by Erdogan and “a music video titled ‘Every I’m Capulling’ was promptly created” sampling LMFAO’s “Party Rock Anthem” (Varol 556). The music video went viral and helped draw international attention to Gezi Park. Gil Kaufman writing for MTV News in 2015 would go on to state: “There was a time before the Internet when governments could crack down on dissent without the rest of the world finding out. But thanks to smartphones, Twitter and the power of hip-hop it’s almost impossible to secretly keep a population down behind closed doors.” Indeed, local hip hop artists, rappers, and musicians of various genres showed their support for the protestors at Gezi Park, illustrating the close ties between music, culture, the people, social media platforms and the protest.
The Turkish rock group Duman, for example, composed a song entitled “Eyvallha” in support of the Gezi Park protests and uploaded it to YouTube, further showing in the 21st century, ruling parties not only must contend with the people in their own locales but also with the watching eyes of all those around the world who have access to social media sites like the video-sharing platform YouTube. The video quickly obtained over 3 million views, thus drawing a great deal of attention to the movement and inspiring other artists and musicians to get involved. The group would go on to describe in a later song the scene of Gezi as it spread around the country, igniting a movement of protests aimed at the AKP in multiple cities and squares throughout Turkey.

The local group Bosphorus Jazz Choir joined directly in the protests and one its members was even injured by a tear gas canister which struck him directly in the head. ?afak Küçüksezer of the choir had to be rushed to the hospital after the incident (“Member of the Bosphorus Jazz Choir Injured”). His injuries were just one of many suffered by protestors during the riots that…