In short, the United States became more aggressive in attaining foreign resources and access to trade. This was a result of the expansive nature of empires, and the fact that America, as characterized by Boot, was gradually becoming a "great power." Largely, the Great Powers of the modern world have come into being as emerging economic and political trends have allowed. The ever shifting tides of the world's social foundations

European nationalism in the nineteenth century seems to have picked up where religion had left off centuries before. This statement may sound provocative -- positing the state as a substitute for a God whose influence was waning -- but in reality it is possible to understand nineteenth-century nationalism in Europe as fundamentally a replay of earlier religious phenomena. In surveying the most salient manifestations of nationalism in the middle of

In this encouragement, American would help to touch off something perhaps all the more miraculous given the proximity to its oppression to the European peasantry at large. First in the doctrines which would be formulated in the wake of French independence and secondly in the way that Napoleon Bonaparte would begin the spread of such doctrines to a continent driven by inequality, America's revolution could be said to have been the opening round in the deconstruction

As it has been said by David Chandler, "the airy Kantian generalization of Clausewitz has held on for quite some time now." Another reason can be the fact that in a world that seems to have freed itself from the fundamental ideological conflicts and in a period in which there are some who seriously think and hope that the history has come to an end, the strife-driven world view

By the second night, a group of men had mutinied and attempted to kill the officers and destroy the raft, and by the third day, "those whom death had spared in the disastrous night […] fell upon the dead bodies with which the raft was covered, and cut off pieces, which some instantly devoured" (Savigny & Correard 192). Ultimately, the survivors were reduced to throwing the wounded overboard, and

In brief, this painting is essentially a representation of the court of Philip IV and the focal point of the work is the Infanta Margarita who is surrounded by various figures, including her maids of honor, dwarfs and a dog. Las Meninas depicts a large room in the palace of King Philip IV of Spain and most of the figures can be identified as members of the Spanish Court. The