Grounded in the belief that everything a reader needs to know to understand a piece of literature, such as a poem, Formalism dictates that a reader look no further than the poem itself to understand it. A formalist reading requires a careful consideration of both the poem's individual elements as well as the poem as a whole, and this reading starts with the poem's diction, allusions, imagery and symbols. After examining the poem's basic elements, the formalist critic turns to the poem as a whole and considers the structure of the work, the interrelationships of its parts, as well as its tone, point-of-view, theme and ambiguities. The final step of a formalist examination is determining how these different elements come together to convey an overall message and what that message is. A formalist reading of Howard Nemerov's "September: The First Day of School" reveals the author's internal struggle as his son is starting school, which allows him to juxtapose his own past with his son's present. "September: The First Day of School" highlights the inherent human loneliness by juxtaposing the public experience of schooling that the narrator and the vast majority of adults have undergone with that of the narrator's son. The narrator stresses his inability to help his son or guide him through the experience of his schooling and growth, ultimately showing the solitude of any human being despite being a part of the society as a whole.
The poem begins with the narrator taking his son to school for the first time. The first image that the reader encounters is that of the narrator and his son walking to the school holding hands, creating a powerful image of familial unity. This familial unit is immediately perturbed by the image is soon perturbed as the narrator's son eventually lets go of his father's hand and walks into his classroom. The narrator takes pause to acknowledge this necessary separation, "And when I leave him at the first-grade door / He cries a little but is brave; he does / Let go" (2-4). By placing a semicolon in the middle of the third line, the narrator creates a pause in the line, conveying the necessity to create a similar pause in his day to accommodate his son's inevitable crying prior to going into class for the first time. Additionally, the enjambment at the end of the third line signifies the forced separation that must occur between father and son in order for both of them to go on. Just as the line's stop is unnatural and forced, so is the separation between father and son.
After discussing his son's difficulties in separating from his father, the narrator discusses his own experience as a student starting out in the first grade. He notes, "Selfish tears remind me now / I cried before that door a life ago" (4-5.) It is clear that he is crying just like his son is, but these tears are not in sympathy with his son. Rather, they are a bitter reminder of his experience as a student.
The final 2 lines of the first stanza simultaneously unify and separate the narrator from his son. They are at once united by their mutual experience of going through schooling but at the same time realizing the distance between them. There is, indeed a lifetime separating them from one another, but the experience they go through is essentially the same. Even though what his son feels is nearly identical to what he felt at his son's age, the narrator cannot help his son, and the narrator's son has to be alone in his schooling. The narrator furthers this idea of solitude in unity in the following stanza, as he states, "Each fall the children must endure together/What every child also endures alone" (6-7). The education that the children receive will forever unite and separate them.
The author has a momentary display...
Fern Hill (Dylan Thomas) The "Poetry Explications" handout from UNC states that a poetry explication is a "relatively short analysis which describes the possible meanings and relationship of the words, images, and other small units that make up a poem." The speaker in "Fern Hill" dramatically embraces memories from his childhood days at his uncle's farm, when the world was innocent; the second part brings out the speaker's loss of innocence and
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