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Oppression, Repression, And Madness In Thesis

John is completely blind to his wife's needs. In fact, he is being completely selfish in this situation because he is placing himself over his wife's needs. This fact, on top of everything else, allows us to see how easily oppression could transform into anger. Oppression, repression, and rage emerge as important aspects of "The Yellow Wallpaper." The narrator in this story represents countless women who suffered at the hands of uninterested and uneducated doctors. The story follows the course of madness through stages and reveals the delicate workings of the human psyche. Survival is an instinctive characteristic and the narrator does what she can to preserve herself before going over the edge. Gilman demonstrates the yearning for independence in a rather hopeless situation and, as a result, emphasizes the need for understanding before medication. In addition, she also demonstrates how doctors do not always know best. Perhaps one of the most compelling pieces of writing regarding "the Yellow Wallpaper" is Gilman's essay, "Why I Wrote 'The Yellow Wallpaper.'" In this short piece, Gilman admits to suffering from a "severe and continuous nervous breakdown" (Gilman). She admits to experiencing this for about three years before seeking the help of a professional. This physician, the "best known in the country" (Gilman), told her nothing was wrong with her and recommended bed rest. Gilman attempted this regimen for approximately three months before coming "so near the border line of utter mental ruin that I could see over" (Gilman). This woman had to save herself. She had to go against what the doctors were telling her and do what she felt was necessary for her to survive. Gilman did recover from her illness but it was not from the assistance of helpful doctors. "The Yellow Wallpaper" demonstrates the helplessness and...

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When Johnson suggests rage, we can see it emerging through the narrator's behavior in tiny pieces, or segments, of a "fit" of tearing the paper from the wall. Rage gives way to madness in this story. As much as the narrator attempts to free herself, she is unable to do so within the same four walls. She literally scratches herself free. Her story serves as a warning for those who refuse to take seriously the requests and needs of others. More than anything, "The Yellow Wallpaper" represents a time in history when women were neglected and terribly mistreated as a result of a lack of concern.
Works Cited

Perkins-Gilman Charlotte. "The Yellow Wall-paper." The Heath Anthology of American

Literature. Vol. II. Lexington D.C. Heath and Company. 1990.

-. "Why I Wrote 'The Yellow Wallpaper.'" City University of New York Online. http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html Site Accessed November 30, 2009.

Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look

at 'The Yellow Wallpaper.'" 1989. Gale Database. Site

Accessed November 30, 2009.

Johnson, Greg. "Gilman's Gothic Allegory: Rage and Redemption in 'The Yellow Wallpaper'."

Studies in Short Fiction. 26.4 (Fall 1989): 521-530. Rpt. In Short Story Criticism. Ed.

David L. Siegel. Vol. 13. Detroit: Gale Research, 1993. Site Accessed November 29,

2009.

Wagner-Martin, Linda. "Gilman's 'The Yellow Wallpaper': A Centenary." Charlotte Perkins

Gilman: The Woman and Her Work." Sheryl L. Meyering, ed. Ann Arbor: UMI Research

Press. 1989. Gale Database. Site Accessed December 30,

Sources used in this document:
Works Cited

Perkins-Gilman Charlotte. "The Yellow Wall-paper." The Heath Anthology of American

Literature. Vol. II. Lexington D.C. Heath and Company. 1990.

-. "Why I Wrote 'The Yellow Wallpaper.'" City University of New York Online. http://www.library.csi.cuny.edu/dept/history/lavender/whyyw.html Site Accessed November 30, 2009.

Haney-Peritz, Janice. "Monumental Feminism and Literature's Ancestral House: Another Look
at 'The Yellow Wallpaper.'" 1989. Gale Database. <http://www.infotrac.com> Site
Press. 1989. Gale Database. <http://www.infotrac.com> Site Accessed December 30,
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