¶ … Spring (1949):
The death of freedom with the beginning of marriage
The title Late Spring refers to the fact that the movie chronicles the 'late spring' of the main character's life. The 1949 film is characteristic of the output of Yasujiro Ozu in its fundamentally anthropocentric or human-focused narrative (Wood 108). The young woman Noriko is considered an 'old maid' because she is no longer a teenager. However, Noriko seems unconcerned about her status. She enjoys taking care of her elderly father Shukichi and the two of them are satisfied by the arrangement. However, the girl's meddling aunt Masa is not: she tells her brother that Noriko must get married; otherwise the girl will be left with nothing after he dies. The widower Professor Shukichi reluctantly agrees to engage in an elaborate deception to convince his daughter he is getting remarried, despite the fact that he is not. Noriko marries as a result of this deception. The film suggests the social bullying of the aunt makes everyone unhappy except the aunt, who is falsely convinced she has done a good deed. The film presents marriage as a tragedy and a loss of freedom, not just for Noriko but for all of the main characters. Ultimately, the old Japanese traditions of filial piety are shown to be untenable, even while the new traditions and unions offered by modernity in the postwar climate offer no real sources of happiness.
Ozu characteristically uses a very static camera, keeps the camera about mid-level to allow for a picture-like shot of the participants, and focuses in the dialogue and intimate relationships rather than...
House of Sand and Fog" book and movie compare and contrast "House of Sand and Fog" -- comparison between novel and film Andre Dubus III's novel "House of Sand and Fog" presents a story involving two protagonists who end up in a chain of trouble and deaths as a consequence of fighting over ownership of a house. Kathy Nicolo loses her house to the authorities as a result of an error
As Poe builds this emotional tension in the reader on through his construction of the sentences, he also does it on the level of the narrative itself. The sense of dramatic tension within the narrative is created by Poe's masterful use of foreshadowing and delay. A prime example of this occurs early in the story, when the narrator explains his presence at the Usher mansion. He reveals that the occupant
By doing so right now, we are not only making a societal and human investment in today's citizens and today's crime rate, but we are improving the quality of life of entire families as well as working toward the reduction of future perpetrators of violence against women since the sons will see appropriate models of behavior and wil not be apt to become violent in the future. References A programme for
Poe's The Fall Of The House Of Usher Of all the authors to employ use of the Gothic style in their poetry or prose, none mastered the craft more than Edgar Allen Poe. The classic American fiction writer specialized in fostering a unique sense of dread and terror for his readers by successfully using elements of the Gothic genre such as the grotesque, or distorted imagery and setting, mysterious circumstances and
One cannot build the right sort of house -- the houses are not really adequate, "Blinds, shutter, curtains, awnings, were all closed and drawn to keep out the star. Grant it but a chink or keyhole, and it shot in like a white-hot arrow." The stare here is the metonymic device -- we assume it is stranger, the outside vs. The inside, but for some reason, it is also
His clothes were untidy, but he had a commanding short-collar on." (Charles Dickens (1812-1870): (www.kirjasto.sci.fi/)Dora, David's first wife, expires and he marries Agnes. He seeks his vocation as a journalist and later as a novelist. (Charles Dickens (1812-1870): (www.kirjasto.sci.fi/) GREAT EXPECTATIONS in 1860-61 started as a serialized publication in Dickens's periodical All the Year Round on December 1, 1860. The story of Pip or Philip Pirrip was among Tolstoy's and
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