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Picasso's Psyche As Seen Through Essay

'Only when painting isn't really painting can there be an affront to modesty,' said he." (Picasso & Ashton, 15)
One must imagine that in this respect, Picasso admonished the need
for honesty in process and presentation. Certainly, it was neither form
nor the philosophical abstention from form which governed this ideology.
Instead, Picasso allowed himself to evolve in both form and the
confrontation of his subject matter as a way of invoking greater insight
into the artistic process and the merits of its outcome. In The Studio, we
find the artist reaching the relative heights of his internal exploration,
revealing a soul and psyche wiling to engage itself with frankness...

Though he would never fully exorcise these from a personal life of unsettled romantic and sexual
affairs, such works would appear to function as an outlet for an
unflinching self awareness.
Works Cited:

Fitzgerald, M.C. (1996). Making Modernism. University of California
Press.

Flint, L. (2007). Pablo Picasso. Guggenheim Museum. Online at
http://www.guggenheim.org/new-york/collections/collection-online/show-
full/piece/?search=Pablo%20Picasso&page=2&f=People&cr=10

Picasso, P. & Ashton, D. (1972). Picasso on Art. Viking.

Wikpedia. (2009). Pablo Picasso. Wikimedia, Ltd. Inc.

Sources used in this document:
Works Cited:

Fitzgerald, M.C. (1996). Making Modernism. University of California
Press.

Flint, L. (2007). Pablo Picasso. Guggenheim Museum. Online at
http://www.guggenheim.org/new-york/collections/collection-online/show-
full/piece/?search=Pablo%20Picasso&page=2&f=People&cr=10
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