This does not mean that any individual has the right to do whatever they would like to any other individual, but rather that humanity as a whole can make its own decisions without impunity, which robs humanity of their dignity (Ramsey, qtd. In Verhey, 292). Thisties directly back to Verhey's thesis that "the fundamental perspective from which we interpret our responsibilities is critically important to seeing what those responsibilities are" (Verhey, 292). Even without surety of a God or other overriding moral imperative, the perspective that neither of these things does or even can exist is a dangerous one. In this sense, the concept of "playing God" actually refers to a perspective -- a healthy one, according to the author (and with which it is difficult to disagree) of caution and hesitancy in performing all the we as a species are capable of. That is, the mere usage of the phrase "playing God" reflects a belief in a greater responsibility that we bear to the world, and such an attitude cannot be but a decent check on advancement.
Verhey takes a much more definitive stance regarding his next perspective on what it means to play God. He reflects on what it would mean to "playfully cast ourselves in the role of the creator," speaking explicitly about a Judeo-Christian view of God, and even referring specifically to the stories of the Bible (Verhey, 293). With this view in mind, Verhey insists that "human beings are created and called to exercise dominion over the world" (Verhey, 293). He therefore concludes that human creativity can extend to its full reaches without worry.
This argument is more than a little disingenuous, and not only for its use of a very selective dogma and its feigned ignorance of the broader social meaning of "playing God" which Verhey has already...
Verhey, Allen. "Playing God and Invoking a Perspective." Journal of Medicine and Philosophy, 20 (1995): 347-364. Any physician of a moral and ethical frame of mind would be reflexively offended if a patient, or the loved one of a patient, accused that physician of 'playing God.' But what does this phrase mean? According to Allen Verhey's essay on medicine, modern bioethics, and "Playing God and Invoking a Perspective," the phrase
Universally accepted as one of the world's foremost epics, John Milton's Paradise Lost traces the history of the world from a Christian perspective. (Milton, 1667) The narrative of the poem largely deals with falling and how desires -- God, Satan, Jesus, Adam and Eve's -- lead to it. The book is about mankind's fall -- Original Sin -- Adam and Eve's disobedience of God. There are other instances of falling
Jesus' Teachings, Prayer, & Christian Life "He (Jesus) Took the Bread. Giving Thanks Broke it. And gave it to his Disciples, saying, 'This is my Body, which is given to you.'" At Elevation time, during Catholic Mass, the priest establishes a mandate for Christian Living. Historically, at the Last Supper, Christ used bread and wine as a supreme metaphor for the rest of our lives. Jesus was in turmoil. He was
A view of this event captures an incredible sea of worshippers flowing like a human river in the footsteps of the prophet Mohammed, who it is said arrived at this spot some 1400 years ago to pay homage to Abraham. The role of the woman as it is understood through the ritual reenactments are quite different from the unequal stance which is often assumed of Muslim women today, with Hagar
interventionism from the perspective of realism vs. idealism. Realism is defined in relationship to states' national interests whereas idealism is defined in relation to the UN's Responsibility to Protect doctrine -- a doctrine heavily influenced by Western rhetoric over the past decade. By addressing the question of interventionism from this standpoint, by way of a case study of Libya and Syria, a picture of the realistic implications of "humanitarian
O Brother, Where Art Thou? Homer in Hollywood: The Coen Brothers' O Brother, Where Art Thou? Could a Hollywood filmmaker adapt Homer's Odyssey for the screen in the same way that James Joyce did for the Modernist novel? The idea of a high-art film adaptation of the Odyssey is actually at the center of the plot of Jean-Luc Godard's 1963 film Contempt, and the Alberto Moravia novel on which Godard's film is
Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.
Get Started Now