rickshaw -- Lao She
LAO SHE'S RICKSHAW:
AN ALLEGORY FOR THE PLIGHT OF CHINA
IN THE 1930'S
In the introduction to Lao She's novel Lo-t'o Hsiang Tzu, first published in serial form between September of 1936 and May of 1937, the translator relates that Lao She's message in his previous works had explored "the conservatism of the traditionally educated. . . (and) their blindness to the necessity to modernize China. . . (with) the Chinese as the obstacle to progress," yet in Rickshaw, Lao She focuses on "the self-centeredness of the Chinese which he calls Individualism. . . (being) their crucial failing" (viii). The main character in the novel, Hsiang Tzu, a rickshaw puller, appears to be the "personification of this great flaw," namely individualism. Thus, Hsiang Tzu "is not a victim of a sick society but one of its representatives, a specimen of a malady that must be cured" if China is to become modernized and be a part of the modern world.
Without a doubt, Hsiang Tzu stands as a symbol for China's plight in the late 1930's when the country was faced with many social and political problems. Since the setting of the novel is in Peking, it is clear that Hsiang Tzu, in order to survive as a member of China's uneducated and underprivileged class, is attempting to make a decent living in this city, the capital of China until it was shifted to Nanking in 1928. However, Peking, "the great city, is neutral toward him. It neither helps nor hinders, (for) all it gives him is a slightly better chance to survive" (Introduction ix). In order to better understand Hsiang Tzu's position in Peking as a rickshaw puller, a brief look at the history of China during the 1930's is necessary.
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In 1928, the Guomindang (Nationalist Party) made Nanjing its capital because the southern capital was closer to its main power center on the lower Yangzi. Beijing was renamed Beiping which means "Northern Peace," and the ten-year period between 1928 and the Japanese invasion in 1937, the year in which Lao She's Lo-t Hsaung Tzu is primarily set, is known as the Nanjing decade. The record of the Guomindang in these years provides the evidence on which to judge Lao She's great novel during...
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