Cold War Era Many films about the cold war era, especially the early films, speak out against its ideals, while others support these ideals. Below is a consideration of selected Cold War era films, and how these were influenced by the Cold War. Dr. Strangelove Dr. Strangelove is subtitled "How I Learned to Stop Worrying and Love the Bomb." Its producer/director is Stanley Kubrick and the film was released during 1964. The

On the other hand there was growing opposition in intelligentsia circles to pro-soviet regimes in all East European countries and Eastern Germany. If in earlier years Soviet Union was able to aid economies of these countries in order to support communist regimes, then starting from the years fro stagnation in late 1970's the situation changed. Findings were shortening and the U.S.S.R. was not able to support unprofitable industries of

Cold War and Film Generally speaking, the Cold War has been depicted as an era of spy games and paranoia in popular films from the 1960s to the present day, but the reality of the era was much more complex. The Cold War was a period of military and political tension from 1947 to 1991, or from the end of WW2 to the collapse of the Soviet Union, in which

Part 1 A. Compare and contrast the treatment of minority groups and their responses on the home front during World War II. For the first time, African Americans began to be taken seriously. The Negro Soldier was released to cinemas during WW2 in an effort to draw blacks into Uncle Sam’s military. The promise of climbing the ranks—i.e., upward mobility—was something they were not used to in America. This appeal to blacks

War on terrorism took an important place in the foreign policy of Reagan's administration, in administration of Bush (father) and in administration of democrat Clinton. First, the war on terrorism was directed against the spread of communism and pro-Soviet tendencies in the developing countries as the U.S.S.R. supported and aided Marxist insurgents who fought in Latin America and Arabs in the Middle East (Lebanon and Palestine). Chomsky gives a clear

Language, Cultural Narrative, Symbols, and Myths Used for Political Purposes in the "War on Terrorism" Today In the initial years of the 21st century, the United States has entered a new heyday of manipulative language use, especially by high-level post 9-11 politicians and political operators. Increasingly, for example, metaphor, myth, cultural narrative and storytelling (for often distracting, obfuscating, or even downright nefarious purposes) by high-level politicians and their associates, is used