Storms Paintings Watteau's the Storm and Delacroix's Essay

Excerpt from Essay :

storms paintings, Watteau's the Storm and Delacroix's the Sea Galilee, and their relation to Neo-Classical and Romantic styles

This work bases on two storm art works, which depicts storm in two different ways. The differences are explainable through two different artwork styles, neo-classical and romantic styles. Neo-classic art commonly referred to as the revival of artistic canon came into practice in the mid 1700s. This form of art aimed at criticizing the government's oppression the people. Artiste of these times used this form of art to show their dissatisfaction with the mode of governance. They fought for democracy through artwork. Romantic art began during the late 18th century to mid-19th century. It aimed at rebelling against the neoclassical times. The movement began as an intellectual and artistic movement, but its agenda was rebellion against the oppression. It values included the following individualism, subjectivism, irrationalism, emotions, and nature. This art style focussed more on emotions as the prevailing factor at the expense of intellect, reasons, and senses. This work focuses on two storms paintings Watteau's The Storm and Delacroix's, The Sea Galilee, and their relation to Neo-Classical and Romantic styles. It involves comparison of the artwork and categorising them in the right category according to the characteristics of each.

Delacroix's, the Sea Galilee Storm Image

This artwork is of ocean storm. It shows sea sailors struggling to reduce the effect of the storm by lowering the vessel. The artwork has both neo-classical and romantic features, but it is more of a neo-classical art than a romantic one. This artwork shows the use of bold colours from the storm background to the fishing vessels and the dressing of the characters on the painting. The art is not human centred its theme is clearly and it is the storm. It is not trying to show heroism just the sailors trying to save their lives. In the artwork, there is a sense of the ancient Greek mythological character. The portrait on the artwork of a sleeping woman on the right side of the vessel but at the front part is fabled.

This image clashes with the theme and the situation of the things. Despite the weather and its consequences, the woman seems relaxed and undisturbed by anything, not even the oncoming storm. This shows that the artwork shows no emotions at all. The image is not placed on an archaeological site most neoclassical artwork are placed on archaeological sites hence this setting may also depict the art is a romantic one. The costumes used by the characters in the art are unique and classical, this support the argument that the artwork is a neoclassical artwork (Martindale, 2000). This art shows the dissatisfaction of these people towards the idea of the storm. They are struggling to limit the effect of the storm on them by making the vessel more stable. They do this by lowering the propelling-cloth so that the stormy wind may not cause any unbalancing, which might lead to the vessel capsizing. From the discussed characteristics, one can conclude that The Sea Galilee Storm Image is more of a neoclassical image than a romantic one. It shows no emotion neither is it human centred. It does not portray individualism but rather togetherness with all the characters trying to reduce the effect of the storm on the stability of the vessel (Tapert, 2011).

This image depicts the harsh condition these people are going through during those times. The storm is a sign of oppression, and the action of stabilizing the vessel shows ways these people use to stop the oppression. Trying to stabilize the vessel is an indication of people trying to stop oppression. This interpretation supports the arguments that the image is a neo-classic image.

The image also uses the sea and fishing as a way of showing the main activities if the of ancient Greeks. The vessel is a fishing vessel source of the livelihood of these people and fighting to restore the source of the livelihood is fighting to restore good living conditions. The use of the traditional fishing vessel also shows the period of the art was ancient one. The period is between the mid 1700s when neo-classic art came into practice. The defining factor of the art is an outside factor. The stormy weather is the centre and the defining factor in the art (Creamer, 2008).

Watteau's, the Storm

This artwork shows the oncoming land storm. The characters in the art are trying to finish their tasks before the storm starts. The images on this art are also bold but not as bold as the ones in the Sea Galilee Storm Image. This image displays certain characteristics of a romantic artwork. These characteristics include the following shows emotions, is human centred, shows heroism, and long landscape. Emotions, the artwork shows five people a woman carrying a child, a man, and two girls in a hurry trying to avoid the storm. This act of togetherness shows some bond among these people. They are likely members of the same family. The way at which the mother is carrying the baby shows an act of love towards the baby. This act of caring shows portrayal of emotions from the picture, this makes the image a romantic one.

The act of the parents trying to lead their children away from the storm shows an act of heroism. This also supports the argument that this image is a romantic one. All the characters in the image show concern on their individual conquests; this is an act of individualism. For instance, everyone is only concerned with clearing whatever activity he or she was undertaking not minding what the other one is doing. Act of individualism is another portrayal of a romantic image. The artwork is also human centred, when viewing the image; the viewer notices the activities of the characters at the expense of the coming storm. Noticing the activities of the characters at the expense of the storm show that the image is human centred. Romantic images also have the presence of landscape this image's background is a long landscape of an oncoming storm. From the discussed characteristics of the image, it is clear that the image is more of a romantic art than a neo-classic one (Andreae, 2001).

The artiste of this painting was French, and he did the artwork in the mid-1700. The urge and passion to restore the stipulated ways of art and music influenced the artiste to come up with this painting. During these times, Christianity was the main religion in the French. The mode of dressing by characters in the image is similar to the one of the ancient Jews mode of dressing. This mode of dressing relates to their religious views since it shows the mode of dressing of the ancient Christians. The main theme of this image is not clear the image has different themes. For instance, work and storm are examples of themes portrayed by the image. According to romantic style, artistes worked towards restoring the stipulated form of doing artwork. Each person is trying to accomplish his or her task in the best way according to the person's understanding, this determination portrays determination to restore art. The oncoming storm does not deter them from accomplishing their tasks (Graham and Andrew, 2011).


From the explanation of each artwork, it is easier to decide on the category of each. Delacroix's, the Sea Galilee Storm Image, is a neo-colonial art while Watteau's, the Storm is a democratic art. A characteristic such as the influence of outside factor, the stormy weather, as the defining factor makes the image a neoclassic art. The art is not human centred but rather a nature centred this also makes it a neoclassic art. The second artwork, Watteau's, the Storm depicts…

Cite This Essay:

"Storms Paintings Watteau's The Storm And Delacroix's" (2013, March 25) Retrieved August 17, 2017, from

"Storms Paintings Watteau's The Storm And Delacroix's" 25 March 2013. Web.17 August. 2017. <>

"Storms Paintings Watteau's The Storm And Delacroix's", 25 March 2013, Accessed.17 August. 2017,