Great Gatsby And Sun Also Rises Both F. Scott Fitzgerald's The Great Gatsby and Ernest Hemingway's The Sun Also Rises depict the American psyche in the aftermath of the First World War. Although The Sun Also Rises is set in Europe, many of its main characters are American expatriates who seek fulfillment unsuccessfully through partying and sexual affairs. Similarly, the characters in The Great Gatsby seek stimulation through romantic relationships but

Often, globalization brings rapid changes to a country, including some drastic changes in the economy that some countries may not be able adsorb. These experts note, "In the same way as industrialization disembedded the economy from the community, the process of globalization disembodies the economy from the state. The economy becomes uncoupled from the national interest and increasingly subjected to international forces" Rice and Michael 172). If a country loses

Introduction The whole world is well aware of the Great Wall of China. It is an iconic symbol that represents the face of China in terms of culture, history, political views, attitudes and national character in general. Mao Zedong, the father of modern China quoted that one is not man enough if they have not visited the Great Wall (Hayford, 103). Indeed, the phrase has been widely adopted by the media

41+). Loftus notes that science has found "post-event information" is integrated into what most people have actually experienced because, "when people experience some actual event -- say a crime or an accident -- they often later acquire new information about the event. This new information can contaminate the memory" (Loftus, 2002, March, p. 41+). In addition, many false memories are created, deliberately or by accident, in response to leading questioning

"One U.S. Court said this of the problems with eyewitness identification: 'We think it is evident that an identification of an accused made by a witness for the first time in the courtroom may often be of little testimonial force as the witness may have had opportunities to see the accused and to have heard him referred to by a certain name; whereas a prior identification, considered in connection

Auschwitz gave to Promo Levi when he dared to ask the "Why?" question. To be sure, the guard was simply attempting to be cynical and sarcastic rather than reflective or philosophical, but LaCapra is also critical of Claude Lanzmann for failing to ask this question enough in Shoah. All of the Germans who Lanzmann interviewed were either perpetrators of complicit bystanders, and they spent a great deal of time