Song of Roland essentially functions as folklore, which lionizes and creates legends of the works and characters of Charlemagne the Great and his men. The author of this epic poem is unknown, as is the exact date in which it was written. It is commonly believed to have been written in the 12th century. The poem's central action utilizes elements of the history of Charlemagne and his Muslim enemies

These characters possess freewill, such as Ganelon and his plotting against the Franks. But the God in the epic does intervene to make sure that good really comes out victorious in the end, such as when he makes Thierry win over Pinable in a duel. The unknown author of the epic presents the Muslims as unquestionably and inherently evil and base, the reverse of the Christians (Bouneuf 2005). Although the

Warrior Hero: A Stranger in a Strange Land The figure of the hero is set apart from the common herd of ordinary men by virtue of his special qualities and abilities; in some works, this separateness is literal - he is in a strange land apart from his own kin. To see how this alienation enhances the tale of the hero's conflict, The Odyssey, Beowulf and The Tragedy of Othello,

Honor Code of Chinese Warriors The objective of this study is to discuss the honor code of warrior-heroes in Chinese history and to answer to what the honor code consists of and the origin of the honor code. As well, this study will examine how this honor code influenced the intentions, words, and actions of the warriors and how the honor code manifests itself in novels, how and when the codes

Siren Song," "Dover Beach," and "Three Ravens" are literary works that depict the theme of power, love, and war (respectively). This paper will discuss in detail how each poem tackles the themes that were presented, and how each work achieves the theme of power, love, or war by the use of imagination, which is effectively used to illustrate the importance of each theme. The poem "Siren Song" by Margaret Atwood

violence in Bhagavad Gita and the Song of Roland In contrast to current conceptions of violence as problematic, in ancient societies violence was an accepted part of daily life and acting violently was even seen as a heroic attribute. In the Bhagavad Gita, the struggles of the central protagonist Arjuna with Krishna are portrayed as a dialogue between Man and God. Arjuna despairs at his fate at having to kill