Updike and Hawthorne: Autobiography in American Literature
This paper examines the lives and selected works of John Updike and Nathaniel Hawthorne, two prominent figures in American literature. It explores how each author's personal struggles — Updike's health problems and marital separation, and Hawthorne's Puritanical ancestry and financial hardship — shaped their fiction. Through close readings of Updike's "Separating" and Hawthorne's "Young Goodman Brown," the paper argues that both authors drew heavily on autobiographical experience to produce works rich in imagery, guilt, self-doubt, and the dualistic nature of human existence.
- Introduction: Two Giants of American Literature: Shared themes of struggle and autobiographical writing
- John Updike: Life and Literary Career: Updike's biography, education, and publishing career
- Updike's 'Separating': Imagery and the Human Condition: Divorce, imagery, and autobiographical tension in Separating
- Nathaniel Hawthorne: Life and Literary Career: Hawthorne's life, poverty, Puritanism, and major works
- Hawthorne's 'Young Goodman Brown': Puritanism and Guilt: Puritan doctrine and guilt in Young Goodman Brown
- Conclusions: Autobiography and Enduring Legacy: Both authors' autobiographical legacy in American literature
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What makes this paper effective
- Maintains a consistent comparative framework, returning to shared themes — guilt, self-doubt, autobiographical influence — across both authors rather than treating them in complete isolation.
- Anchors biographical detail to textual evidence, connecting Hawthorne's Puritan ancestry directly to the devil's speech in "Young Goodman Brown" and Updike's divorce to the emotional landscape of "Separating."
- Uses brief but precise quotation to support analytical claims, demonstrating how to integrate primary source material at the undergraduate level.
Key academic technique demonstrated
The paper demonstrates parallel biographical-literary analysis: it introduces each author's life circumstances, then traces how those circumstances manifest as specific textual choices. This technique shows readers that literary criticism can move productively between an author's biography and the symbolic or thematic content of individual works.
Structure breakdown
The paper opens with a shared introduction establishing common themes, then divides into two author-focused sections, each containing a biographical overview followed by a close reading of one representative story. A concluding section draws the two authors back together, reinforcing the central argument about autobiographical writing. This symmetrical structure makes the comparison easy to follow and replicates a standard comparative-essay format appropriate for undergraduate literary studies.
Introduction: Two Giants of American Literature
John Updike and Nathaniel Hawthorne are two of the most well-known writers to have contributed to the body of American literature. Updike, the more recent of the two, has been considered one of America's most prestigious writers, often honored by collegiate bodies and authoritative figures. Likewise, Nathaniel Hawthorne was recognized and respected in his own time, having come from a background commanding some social standing. Both authors, however, struggled with negative personal circumstances during their lives. Updike, for example, struggled with health problems that plagued him since childhood as well as the pain of marital separation. Hawthorne struggled with an ancestry that embodied a rigid Puritanical belief system and also struggled with his family's poverty, a condition he was never quite able to overcome during his lifetime.
The works of both Updike and Hawthorne tend to carry autobiographical notes, with each author drawing from experiences within his own life. Negativity, feelings of guilt, insecurity, self-doubt, and even the dualistic nature of human beings — the capacity to live both a positive and a negative existence — are examined by both authors in their work. These ideas are explored in greater detail below, with special emphasis on two select stories by each author.
John Updike: Life and Literary Career
John Updike was born in Reading, Pennsylvania, in 1932. He spent the majority of his childhood just outside of Reading in a small town called Shillington, and later moved to Plowville, Pennsylvania (Liukkonen, 2002). As a child, Updike suffered many health problems, including psoriasis and a speech impediment that caused him to stammer (Liukkonen, 2002). He studied English at university, where he also contributed to the campus humor publication, the Harvard Lampoon. He married Mary Pennington, but the couple later divorced, and he remarried in 1977 to Martha Bernhard. In 1955, Updike joined the staff of The New Yorker. He left the magazine two years later to work full time on his writing.
Moving to Ipswich, Massachusetts, Updike took up residence there for seventeen years. His first book was a collection of poetry published in 1958 entitled The Carpentered Hen and Other Tame Creatures. His first novel was The Poorhouse Fair (1959). His works have always been recognized for their vivid imagery and precise detail.
Updike is among the most celebrated American writers. He has been called a "triple threat writer," well known for his short fiction, poetry, and reviews, which appeared in leading publications including The New York Times Book Review (De Bellis, 2000). Updike was honored by a former President of the United States and awarded honorary degrees at various collegiate institutions. His work is consistently distinguished by its depth of detail and clear moral direction.
Updike's 'Separating': Imagery and the Human Condition
In "Separating," Updike uses vivid negative imagery to convey the feelings of inadequacy experienced by the Maples. Updike works to express various aspects of the human condition — misery, inadequacy, but also amusement and moments of lightness — expressing a vision of human experience that aspires to balance (Searles, n.d.). In this story, Updike compares emotion to the weather. In the opening section, he notes how the weather "mocked the Maples' internal misery with solid sunlight" (Updike, 2001: 1652). Other details describe the tensions and wounded feelings spreading through the Maples household. In this particular work, divorce is straining many relationships within and among various members of the family.
Many critics have suggested that Updike wrote "Separating" as a result of his own tensions and emotions arising from the dissolution of his first marriage. The story is most celebrated for the rich imagery and symbolism through which it reveals the way a family falls apart and experiences turmoil in the wake of divorce.
Nathaniel Hawthorne: Life and Literary Career
Nathaniel Hawthorne, also a very well-known American novelist and short story writer, was born in Salem, Massachusetts, on July 4, 1804. Growing up in Salem, Hawthorne is said to have lived a somewhat sheltered and protected life, not particularly conducive to artistic development (Jalic, 2004). Hawthorne attended Bowdoin College and turned to writing shortly after his graduation. One of his first collections of short stories was Twice-Told Tales, published in 1837.
Hawthorne's first novel, Fanshawe, was actually published in 1828. This work was printed anonymously and funded in part by Hawthorne himself. He is most celebrated for his novel The Scarlet Letter, though he also wrote numerous other well-known works, including The House of the Seven Gables and The Marble Faun.
Hawthorne was known among acquaintances as an avoider of company, reaching out to few friends and representing himself honestly to even fewer (Farr, 2004: 1). His family lived in poverty, and many of his efforts were dedicated to what biographers have called "vexed efforts" to alleviate that situation, most often without success (Farr, 2004). According to Wineapple, Hawthorne is a figure who "invites both respect and pity" (Farr, 2004: 1). Wineapple further suggests that Hawthorne may have been haunted by anxiety and self-doubt, all of which made the act of writing genuinely difficult for him.
Hawthorne took a position with the Boston Custom House as a measurer in 1839 because the earnings from his writing were insufficient to support his family. As is the case with many great writers, his fame came more substantially after his death than during his lifetime. Though his work met with critical success, it did not bring him adequate financial reward. Hawthorne's fiction is viewed as pessimistic yet luminous; critics suggest that the author felt both fear and shame regarding his ancestry — he was the grandchild of a Puritan "hanging judge" — and also harbored ambivalence about his own literary gifts (Farr, 2004: 1). Though works such as The Scarlet Letter were successful, they did not earn Hawthorne enough money to lift his family out of their difficult circumstances. Hawthorne died in 1864, after struggling with long bouts of illness and dementia.
Works Cited
De Bellis, Jack. The John Updike Encyclopedia. Greenwood Press, Westport, 2000.
Farr, J. "Haunted Hawthorne." The Wilson Quarterly, Vol. 28, Winter 2004.
Hawthorne, Nathaniel. "Young Goodman Brown." 1835. The Heath Anthology of American Literature. Ed. Paul Lauter et al. 2nd ed. Vol. 1. Lexington: Heath, 1944. 2129–38.
Jalic, LLC. "Nathaniel Hawthorne." Jalic, LLC. 2004.
Liukkonen, P. "John H. Updike." Books and Writers. 2002.
McCabe, M. "The Consequences of Puritan Depravity and Distrust as Historical Context for Hawthorne's 'Young Goodman Brown.'"
Searles, G. "John Updike." N.d.
Tharpe, J. Nathaniel Hawthorne: Identity and Knowledge. Southern Illinois University Press, Carbondale, 1967.
Updike, John. "Separating." The Longman Anthology of Short Story Fiction: Stories and Authors in Context. Eds. Dana Gioia and R. S. Gwynn. New York: Longman, 2001. 1652–1660.
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