Ludwig Van Beethoven Essays (Examples)

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Ninth Symphony by Beethoven

Words: 945 Length: 3 Pages Document Type: Essay Paper #: 92133934

Beethoven's 9th

Beethoven's Ninth Symphony is a symphonic-choral blend that revolutionized the way composers approached their work in the 19th century. It prepared the way for future artists like agner and set the tone for the Romantic spring of classical music composition. Its ideological foundation is rooted in the Romantic "Ode to Joy" poem of Friedrich Schiller, penned in 1785 in celebration of the poet's sense-feeling of the universal fraternity of mankind. Fraternity was a notion much in vogue at the time (the French Revolution adopted it as one of its mantras), but Beethoven takes Schiller's idea and elevates in an almost spiritual way, delivering sections of the "Ode" in choral form in the final movement of the Ninth Symphony. But before getting there, Beethoven develops massive musical themes that explore that nature and impulse of humankind's mind and heart. This paper will provide a biography of Beethoven, a history…… [Read More]

Works Cited

Cook, Nicholas. Beethoven's Ninth. UK: Cambridge University Press, 1993.

Levy, David. Beethoven: The Ninth Symphony. CT: Yale University Press, 2003.

Solomon, Maynard. Beethoven. NY: Shirmer Books, 1997.
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Lives of Beethoven No Other

Words: 1430 Length: 5 Pages Document Type: Essay Paper #: 87190746

e. "The Public Beethoven" and "The Private Beethoven.") Rather than integrating both facets of Beethoven the person and Beethoven the artist, as Jones does in his biography, Geck wishes to show us the two different sides of Beethoven through a sort of dichotomous split. The result makes for a rather dense, at times tedious read. Jones's skillful integration of the two facets of Beethoven's life seems to flow on a much more natural narrative level.

One of the characteristics that distinguish each of the biographies is their brevity. Unlike more definitive biographical studies, which tend to number into the late hundreds or even thousands in page count, both Jones and Geck manage to condense Beethoven's life to less than two hundred pages. This brevity has both its benefits and its limitations. On the one hand, the general reader, who perhaps has an appreciation of Beethoven's music that has spurred their…… [Read More]

Works Cited

Geck, Martin. Beethoven. London: Haus Publishing, 2003.

Jones, David Wyn. The Life of Beethoven. Cambridge: Cambridge University Press, 1998.
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Program Notes for Beethoven's Waldstein

Words: 682 Length: 2 Pages Document Type: Essay Paper #: 70550664

The aldstein sonata is considered to be one of the notable piano sonatas that Beethoven ever composed, maybe equaled only by the Appassionata sonata. They are both part of the works between op. 50 and op. 60 that, through their content, form and proportions represent the height of Beethoven's creation" ("aldstein," All about Beethoven, 2006). The first movement entitled "Allegro con brio" opens "with repeated chords, played pianissimo. This initial straightforward, but anxious rhythm is devoid of melody for two bars. It then swiftly ascends and follows with a three-note descent in the middle register and a four-note descent in the upper. More of this teasing rhythm rumbles forward, until 45 seconds later, when the notes seem to almost stumble over themselves," into a "dolce," or sweet choral theme in E major, followed by an ending with a heavy coda ("Piano Sonata No 21," All academic dictionary, 2009).. The short…… [Read More]

Works Cited

Parekh, Nilesh. "Biography of Beethoven." Buzzle.com. 2005.

 http://www.buzzle.com/editorials/1-30-2005-65025.asp 

"Piano Sonata No 21." All academic dictionary. May 17, 2009.

http://dic.academic.ru/dic.nsf/enwiki/360642
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Looking Into Reaction Paper

Words: 1135 Length: 3 Pages Document Type: Essay Paper #: 32488737

Ludwig Van Beethoven's Symphony No. 2 in D Major

This paper will concentrate on New York Philharmonic Orchestra's execution of Ludwig Van Beethoven's Symphony No. 2 in D Major, David Geffen Hall, known in the past as Avery Fisher Hall. This arrangement was performed on April 8, 2016 in New York's City's Lincoln Center for the Performing Arts by the orchestra. The conductor for this performance piece was David Robertson.

Beethoven is seen as a transitional figure between the Classical and Romantic periods of musical history. Most importantly, his work is different from those of any earlier arranger through his formation of huge, expanded architectonic structures described by the broad advancement of musical material, topics, and themes. Beethoven did this by "modulation" or "adjustment" in the sentiment of the home key, through an assortment of keys or consonant locales; a favorite technique by the deaf master (Huscher).

Foundation of Symphony…… [Read More]

Works Cited

Gibbs, Christopher. Beethoven's Symphony No. 2 in D Major. 6 June 2006. Web. 27 April 2016

Huscher, Phillip. "Ludwig Van Beethoven; Symphony No. 2 in D Major, Op. 36." 2008. Web. 26 April 2016

Munteanu, Iulian. Beethoven's Symphony No. 2. 2004-2014. Web. 26 April 2016
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Classical Baroque Comparing and Contrasting

Words: 1709 Length: 5 Pages Document Type: Essay Paper #: 84213882

The geniuses strained the boundaries of the characteristic styles more evidently and more quickly than those of their contemporaries to bring about such seismic changes.

orks Cited

Baroque: Style." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/

Classical: Style." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/

Baroque: Musical Context." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/

Classical: Musical Context." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/

Ludwig van Beethoven." The Columbia Encyclopedia. 2007. 23 Apr 2008. http://plus.aol.com/aol/reference/Beethove/Ludwig_van_Beethoven?flv=1&ncid=fLHHQXUNeT0000000474&icid=rbox_ref_center.M

Posner, Howard. "hat is basso continuo?" Early Music FAQ. 1994. 23 Apr 2008. http://www.medieval.org/emfaq/misc/continuo.html

Sadie, Stanley. "Baroque." The Grove Concise Dictionary of Music. New York: .. Excerpted at Classical Music Pages Homepage. Created by Matt Boynick. 1 Feb 1996. Revised 10 Oct 2000. 23 Apr 2008. http://w3.rz-berlin.mpg.de/cmp/g_epoch_baroque.html

Sadie, Stanley. "Classical." The Grove Concise Dictionary of Music. New York: .. Norton, 1994. Excerpted at Classical Music Pages Homepage. Created by Matt…… [Read More]

Works Cited

Baroque: Style." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/

Classical: Style." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/

Baroque: Musical Context." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/

Classical: Musical Context." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/
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Art and Literature

Words: 2435 Length: 9 Pages Document Type: Essay Paper #: 16949376

Humanities are Important:

An analysis of the Da Vinci Code, Beethoven's 9th, and 1984.

A novel by George Orwell (pseudonym), real name Eric Blair

Published in 1949

A reaction to the totalitarian state engulfing the global community

The Da Vinci Code

A (2006) film by on Howard

Based on the novel by Dan Brown

obert Langdon follows a series of clues that link Leonardo's masterpieces, the mystery of Jesus Christ, and a totalitarian regime in the guise of the Catholic Church

Beethoven's 9th Symphony

Completed in 1824 after the composer (Ludwig van Beethoven) had gone completely deaf, this -- his final symphony -- is often considered to be one of the greatest musical masterpieces of all time. The fourth movement is based on Schiller's "Ode to Joy" and invokes a chorus of universal brotherhood. If you listen long enough, you will hear the music swell into a magnificent burst of…… [Read More]

Reference List

Kyziridis, T. (2005). Notes on the History of Schizophrenia. Retrieved from  http://www.gjpsy.uni-goettingen.de/gjp-article-kyziridis.pdf 

Lief, R.A. (1969). Homage to Oceania: the prophetic vision of George Orwell. OH: Ohio University Press.

McLellan, J. (1988). The Beethoven Collection. NY: Time-Life Books.

Orwell, G. (1949). 1984. NY: Harcourt.
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Flowering of Romanticism The Expressive

Words: 950 Length: 3 Pages Document Type: Essay Paper #: 13531604

The second section, entitled Adante con moto has been described as having "a lyrical theme with a hymnal resonance, even festive" in quality which indicates a sense of hope, even in the midst of despair (Munteanu 2006). In contrast to earlier musical works, which can be analyzed purely in terms of musical structure, Beethoven's Fifth is often analyzed as a creation of Beethoven's own, unique psyche: desperate yet occasionally finding joy. It is a sprawling yet seamless whole, like his mind and life, rather than a composition of particular movements that carefully balance one another and deal with several unified themes in a structurally perfect manner.

The third section entitled simply Allegro "has a free form, neither scherzo nor intermezzo, but constitutes itself as an epilogue to the dramatism in Part I and a prologue to Part IV. This is considered to be the key moment of the entire symphony,…… [Read More]

Works Cited

Munteanu, Iulian. "Beethoven 5th Symphony." All about Ludwig van Beethoven.

2006. December 1, 2009.  http://www.all-about-beethoven.com/symphony5.html 

Rodda, Richard. "Program note: Fifth Symphony." Qatar Philharmonic Orchestra.

The Kennedy Center. February 24, 2009. December 1, 2009.
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Comparing Composers

Words: 470 Length: 2 Pages Document Type: Essay Paper #: 83793081

Music

Handel

Handel's Messiah was composed in 1741. The musical period is baroque.

An oratorio is a large musical work that includes an orchestra, choir, soloists, and staging. Operas are musical theater and oratorios are exclusively concert or musical only pieces.

An aria is a melody or musical piece that is made exclusively for one voice and there is orchestral accompaniment. Arias are most commonly found in operas.

There is a kind of call and response between the lyrics and the music in Ev'ry Valley. The singer guides the music and the instruments complement and mimic what the singer does with his voice. Handel was probably considering rhythm, structure, and movement when considering the lyrics.

The texture of the refrain of the Hallelujah chorus is strong. The texture is rich and vibrant. The syllables hang in the air, especially the "ha," yet there is a definite swiftness and movement to…… [Read More]

References:

No listed author. (2013). Ludwig van Beethoven. Web, Available from:  http://www.lvbeethoven.com/Bio/BiographyLudwig.html . 2013 March 17.

Vickers, D. (2012). George Frideric Handel. Web, Available from:  http://gfhandel.org/ . 2013 March 17.
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Concert Report the Dresden Philharmonic

Words: 1562 Length: 5 Pages Document Type: Essay Paper #: 88165765

Even now music like Beethoven's seems elitist. Unlike a punk rock show, a classical music concert is attended by well-heeled individuals: people who dress up in gowns and suits and who leave their car at valet parking. The culture that surrounds classical music today is not much different than it was in Beethoven's time. In the nineteenth century, music like Beethoven's was appreciated largely by the burgeoning bourgeoisie: the upper-middle class that emerged after the fall of feudalism.

Attending the Dresden Philharmonic's performance of Beethoven's 5th symphony on the anniversary of that symphony's composition especially invokes the historical context of music. Even when taken out of context, a piece like Beethoven's 5th is timeless. I appreciated hearing the richly layered melodic patterns, complex structure and timing, and especially the way different instruments and different instrument sections worked together to create a harmonic whole. Moreover, watching the conductor coach the musicians…… [Read More]

Works Cited

The Fifth Symphony." Retrieved Feb 25, 2008 at http://imperial.park.org/Guests/Beethoven/5.htm

Gutmann, Peter. "Classical Classics: Beethoven's Fifth Symphony." Retrieved Feb 25, 2008 at  http://www.classicalnotes.net/classics/fifth.html 

Stagebill for the Concert Association of Florida. "Dresden Philharmonic."
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How Classicism Manifested Itself in the 18th Century

Words: 483 Length: 2 Pages Document Type: Essay Paper #: 42906840

Classicism manifested itself in the 18th century. There are five references used for this paper.

There have been a number of cultural styles over the last centuries from Baroque to Classicism to Romanticism. It is interesting to look at Classicism and determine how it manifested itself in the 18th century.

Classicism

In order to determine the 18th century's manifestation of Classicism, it is important to understand what the term means. Classicism, or Neo-Classicism is used to "characterize the culture of 18th-century Europe, and contrasted with 19th-century Romanticism (unknown, Classicism)." In "art, music, and literature, it is a style that emphasizes the qualities traditionally considered characteristic of ancient Greek and Roman art, that is, reason, balance, objectivity, restraint, and strict adherence to form (unknown, Classicism)."

Music

Ludwig van Beethoven demonstrated Classicism during the end of his life with his string quartets. Beethoven first earned the respect of the Viennese people as…… [Read More]

Works Cited

McLellan, Joseph. Beethoven, on Balance; Ecstatic Beauty Flows Through Borromeo

String Quartet. The Washington Post. (2000): 25 May. Pp. J03.

Unknown. Antiques & Collecting: Dedicated followers of all things. Birmingham Post.

2001): 11 August. Pp. 50.
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Music Culture of German

Words: 1025 Length: 3 Pages Document Type: Essay Paper #: 77743388

German Culture

In the music field, Germany boasts of some of the world's most renowned producers, composers and performers. Germany is the third largest music market in the world and the largest in Europe. The earliest roots of the music culture in Germany are within monastic chants and religious music. The 12th century saw the mystic abbess Hildegard who was from Bingen writing storing compositions and hymns. These were sought to be free musical expressions coming from narrow conventions. Between the 12th and 14th century, minnesingers who were wandering nobles and knights wrote and recited love poems in country version in the tradition of French trovers and troubadours. Out of the many minnesingers during that period of time, einmar Von Hagenau and Walther Von de Vogelweide were the most famous ones. Apart from the minnesingers there was also the development of a secular folk music tradition. There are collections of…… [Read More]

References

Joseph, A. (2012). Ten Reasons to love German culture: German Giants of classical Music. Retrieved September, 26 2014 from http://theculturetrip.com/europe/germany/articles/ten-reasons-to-love-german-culture-german-giants-of-classical-music-/

InterNations.org. (2014). The German Music scene. Retrieved September, 26 2014 from http://www.internations.org/germany-expats/guide/16030-culture-shopping-recreation/the-german-music-scene-16028

Countriesquest. (2009). Culture, Music. Retrieved September 26, 2014 from  http://www.countriesquest.com/europe/germany/culture/music.htm
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Piano Including the History and Use of

Words: 1034 Length: 3 Pages Document Type: Essay Paper #: 54668704

piano, including the history and use of the instrument. The piano is one of the most popular musical instruments in the world, and pianos have been in use in orchestras and in homes for hundreds of years. The first piano was created from another similar instrument, the harpsichord, and it was invented in Italy. The editors at Wikipedia note, "The invention of the modern piano is credited to Bartolomeo Cristofori (1655-1731) of Padua, Italy" ("Piano"). The first piano appeared in a Medici family inventory from 1700, and their popularity grew from there, especially after another Italian wrote an enthusiastic article about Cristofori's invention, along with diagrams of how the piano worked. Other people started building them, and the piano spread around the world. The first piano manufacturer in England appeared in 1730, and the first published piano music appeared in 1732 ("The Piano Timeline"). Early manufacturers were small, often family…… [Read More]

References

Editors. "Frederic Francois Chopin." Classical.net. 2009. 17 Nov. 2009.

.

Editors. "George Gershwin." Gershwin.com. 2009. 17 Nov. 2009.

.
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Role of Violoncello as Word

Words: 2320 Length: 8 Pages Document Type: Essay Paper #: 25679103

They would actually recompose it during rehearsals and change it wherever they thought was necessary, in order to improve the performance. This is perhaps the reason that early music is often referred to as being 'performer oriented'.

Early music also had an abundance of musical instruments of every conceivable category and type, and some of the more common ones were the stringed instruments which could be plucked, bowed or strummed, and the wind instruments, which could be played by blowing one's breath into a hole, while the fingers would play the melody. The viola da gamba, an early precursor of the violoncello, was one of the easier to play stringed instruments of the early times, which retained its popularity even during the nineteenth century. It is in fact across between a violin and a guitar; while it is fretted like the guitar, it is bowed like the violin. A typical…… [Read More]

Nicholas Kraft went on from success to more success until the time when he inadvertently injured his finger, after which he found that he could not play his beloved instrument any more. He composed for the violoncello four Concertos, nine Duets, a Polonaise, a Bolero, a 'Scene pastorale,' a 'Rondo a la chasse,' and two Fantasias, of which one is an arrangement of airs from the 'Freischiitz.' Nicholas Kraft, the son of Anton Kraft, had a son who was named Friedrich. Although he too was a clever cellist, nothing much is known about him. Another violoncellist, named Joseph Linke, was also popular at around the same time that Anton Kraft was popular. Some of his better known compositions include a Concerto, three books of Variations, a Polonaise, a 'Rondoletto,' and a Caprice on Rossini airs.

Both Linke and Anton Kraft seem to have played the violoncello more form an artistic point-of-view than the virtuoso style, while Joseph Merck played on the virtuoso side. This individual was a person who was training to be a violinist, but unfortunately, was bitten so very seriously by a dog that he found that he could never play the violin again. He therefore took to playing the violoncello, for which he was given instruction by Philippe Schindlocker. He was an avid learner, and he progressed well with his lessons. In the year 1816, he became the first Violoncellist in the Grand Opera at Vienna. Some of his renowned compositions are one Concerto, one Concertino, one Adagio and Rondo, one Polonaise, four books of Variations, 'Vingt Exercises' -- Op. 11, and Six Etudes -- Op. 20.

Karl Leopold was yet another famous violoncellist of the nineteenth century, and he was the musician to the Prince of Furstenberg. He produced a Concerto, Duets, Fantasias, Variations,
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Mozart Wolfgang Amadeus Mozart Is One of

Words: 1676 Length: 5 Pages Document Type: Essay Paper #: 64185969

Mozart

olfgang Amadeus Mozart is one of the most respected and revered composers who ever lived. Although he was a part of what has become known as the Classical era of music, it can be argued that Mozart transcended the aesthetic of his timer period and created works which are timeless. During his unfairly short lifetime, he helped create and popularize various musical forms. He has become an icon of genius and the epitome of the child prodigy, showing incredible artistic ability in a very early age. The totality of Mozart's works includes a plethora of symphonies, concertos, and operas not to mention singular musical pieces. Mozart was one of the most prolific composers of his era, or indeed of any era. More than 600 works of Mozart still exist to this day and there are reports which indicated some others have been lost to history. His works have been…… [Read More]

Works Cited

Deutsch, O. (1965). Mozart: a Documentary Biography. Ed. P. Branscombe & E. Blom. Trans. J.

Noble. Stanford UP: Stanford, CA.

Halliwell, R. (1998). The Mozart Family: Four Lives in a Social Context. Clarendon: New York

City, NY.
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Authorship and Attribution in Early

Words: 3487 Length: 14 Pages Document Type: Essay Paper #: 20745555

A certain feeling toward propriety and morality is stamped upon our sex, which does not allow us to appear alone in public, nor without an escort. Thus how can I present my musical work, to the public with anything other than timidity. The work of any lady…can indeed arouse a degree of pity in the eyes of some experts." (owers and Tick, 1987)

owers and Tick state that many composers of this time "Reichardt, Hensel, and Schumann -- published lieder under male authorship. A few of Reichardt's early songs were included in a collection of her father's lieder, 'Duetsche Lieder' and three of Hensel's early songs "appear in each of Felix's Opus 8 and Opus 9; the 'Allegemeine musikalische Zeitung' claimed that 'An des lust'gen runnenes Rand' a duet composed by Fanny, is the best song in the collection" of Opus 8. Additionally three of Schumann's lieder were "included in…… [Read More]

Bibliography

Backer, Eric and Kranenburg, Peter van (2004) on Musical Stylometry- a Pattern Recognition Approach. Science Direct 2004 Elsevier.

Bowers, Jane M. And Tick, Judith (1987) Women Making Music: The Western Art Tradition, 1150-1059. University of Illinois Press, 1987.

Haynes, Bruce (2007) the End of Early Music. Oxford University Press. U.S., 2007.

Kranenburg, Peter van (2006) Composer Attribution by Quantifying Compositional Strategies. University of Victoria 2006.
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Music Enjoyment Some of the

Words: 852 Length: 2 Pages Document Type: Essay Paper #: 85531004

From the research I know he was a ladies man. In Joan Peyser's book (The Memory of All That: The Life of George Gershwin) it is 1927 and Gershwin is discovered in bed with one of the attractive women from a show he and Harry Richman were working on. Caught with his shirt and pants still in his hand, Gershwin offered: "Mr. Richman, what can I say to you? I'm waiting for a streetcar?" (Peyser, 2007, p. 136).

Question #3: Music is far, far more than entertainment. A soft playing of Pieces (8) for Piano, Opus 76, by Johannes Brahms is the healing salve that helps a widow relate to the passing of her 88-year-old husband of 58 years. The Piano Sonata in E Minor D. 566 by Franz Schubert is the ideal theme to be played respectfully in the background as a new artist shows her latest abstract art…… [Read More]

Works Cited

Butterton, Mary. (2004). Music and Meaning: Opening Minds in the Caring and Healing

Professions. Oxon, UK: Radcliffe Publishing.

Peyser, Joan. (2007). The Memory of All That: The Life of George Gershwin. Milwaukee, WI:

Hal Leonard Corporation.