For both men, Beauty was connected to the eternal. Socrates, being at least somewhat (and perhaps completely) atheistic, does not immediately or necessarily connect the concept of the eternal with the concept of the divine, however, but rather recognizes the inherent Beauty in the only act of immortality that mortals can engage in -- procreation and generation, which leads to "beauty in birth." The physical act of love between a man and a woman is described by Socrates -- through the voice of Diotima -- as an act of supreme beauty, and its effects are equally beautiful, as it causes immortality and hence touches upon the eternal. Beauty is also connected to love because love cannot occur with deformity; the closer a material thing comes to representing its ideal form, the more Beautiful it becomes because it is closer to touching the eternal.
This argument in some ways celebrates material beauty, though only insofar as it connects to eternal Beauty. Plotinus sees this connection also, but departs from Socrates in his recommendation to any capable man to "let him arise and withdraw into himself, foregoing all that is known by the eyes, turning away for ever from the material beauty that once made his joy...he must know them for copies, vestiges, shadows, and hasten away towards That they tell of." Plotinus believes that true Virtue -- which is itself Beautiful -- is best attained not by recognizing the presence of the Divine in material beauty, but by turning away from these imperfect representations.
Plotinus carries this argument to its logical extremes, insisting that the Soul must be made Beautiful (by becoming...
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