Improvisation For Singers: Benefits Improvisation Techniques Are Essay

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Improvisation for Singers: Benefits Improvisation techniques are generally viewed as a tool mainly for actors and other comedic or dramatic performers. However, the benefits that improvisation bestows on these stage performers can also offer singers similar advantages. Improvisation can build confidence because it helps performers to get out of their head. Improvisation can give singers a greater sense of freedom. Instead of being chained to the "map" of the sheet music or the specific words of a song, singers are then able to create their own "map" through improv, a technique which can't help but intoxicatingly create confidence.

The first benefit of improvisation is that it forces the singer to perform out of their "safe zone" of what they know and what they're familiar with. As one vocal coach explains, "Improvisation takes away your 'comfort blanket', be it sheet music, lyrics, or even the tried and tested version of a song you already know quite well. This can feel scary: Cold water, deep end, without a warning. No chance to 'try to get it right' first" (Raspel, 2012). This metaphor is indeed a correct one. Improvisation essentially forces the performer to be thrown into the "deep end" of the metaphorical pool, and find a way to either sink or swim. This is in many respects, the ultimate challenge, and it is something which can't help but stimulate growth and advancement. This sudden change can help a singer better pinpoint what she likes, what she's good at, where her weaker areas are and what needs more work. In fact, one could argue that improvisation is a diagnostic tool for highlighting areas of power and limitation.

Moreover, the singer quickly discovers that with improvisation there's absolutely no conception or right or wrong, just appropriate and less appropriate (Raspel, 2012). Singers have to quickly abandon the fear of not being perfect and not wanting to make mistakes and adequately dealing with this fear is a definitive way to get past...

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In fact, one could argue that the desire to be perfect is "a dangerous mindset however which can lead you into a real block and even performance anxiety" (Raspel, 2012). Improvisation can help strip away the desire or the expectation of being perfect and that's where real growth can occur. Improvisation can help the singer achieve a greater sense of freedom onstage and with that freedom comes the willingness to take risks and thus, achieve even greater heights of accomplishment. Furthermore, improvisation demonstrates to the singer that on stage things can go wrong, and that is all part of the learning process (Raspel, 2012). Playing it safe is not creative but, "If you allow yourself to improvise, you actually have to continuously find new 'solutions', think on your feet and -- be creative. As a positive side effect, it can also make you feel less stressed and anxious in performance situations. You will be prepared for the worst that can happen: Not knowing what to expect and how things will go" (Raspel, 2012). This type of preparation and experience can't help but build confidence in a singer as it demonstrates to the singer that no matter what happens onstage, he or she can handle it; he or she will be able to deal with the unknown.
Another aspect of improvisation that can benefit singers is that it helps them to develop their own personal style and flavor, another facet which can foster the development of confidence. "At the heart of improvisation is the ability to take a song and alter its phrasing and make it your own" (Thompson & Nelson, 2004). This truly a priceless experience which empowers the singer to realize what they can naturally add or subtract from a beat or melody. It helps them connect better onstage with the "you" of the person and the "you" of the singer. Rather than committing to a style of singing that they think they should portray, they can become more comfortable being themselves onstage and more in tune…

Sources Used in Documents:

Bibliography

Conlon, J.C. (2009). Wisdom, wit and will item: Women choral conductors on their art.

Chicago: GIA Publications.

Gallant, M. (2012, February 12). 11 improvisation tips to help you make music in the moment read more: 11 improvisation tips to help you make music in the moment - disc makers' echoes http://blog.discmakers.com/2012/02/11-improvisation-tips-to-help-you-make-music-in-the-moment/

Jordan, J.M. (2007). The choral rehearsal. Chicago: GIA Publications.
Raspel, P. (2012, june 25). Why improvisation techniques can boost your creativity and lower your stresslevels on stage. Retrieved from http://skypesinging.wordpress.com/tag/improvisation/
Rick, G. (2005, July 6). Learning to improvise - vocal improv. Retrieved from http://www.iwasdoingallright.com/jazz-improvisation/learn-jazz-vocal-improvisation/


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