Greek Romances Greek novels of antiquity had their own taste for romance which was closely connected with conventional values and religious beliefs. The fact that five novels of ancient Greece that have withstood the test of time present romance in conventional ways, basically rooting it in heterosexual marriage so as to remove any possibility of controversial debate. The very concept of Greek romance is grounded in fourth century CE, after which it went on to leave an indelible mark on influential poets like Nonnus and Musaeus. Five important texts that managed to reach us in entirety from that age include Chariton's Callirhoe from the first century and Xenophon's Anthia and Habrocomes; from the second century, Achilles Tatius' Leucippe and Clitophon and Longus' Daphnis and Chloe; and, from the fourth century, Heliodorus' Charicleia and Theagenes.

Interestingly though each narrative was original in central concept, one theme that runs through all novels is the love between a heterosexual couple, trials and tribulations and their reunion at the end. They are all set in an imaginary world which we could refer to as the classical period as it shows no Roman influence. Chariton's and Heliodorus' works for example are explicitly set in the classical period.

These romances gained critical attention mainly because of two dominant themes in the novels: for one, these romances were absolutely heterosexual and young and secondly, there is a theme of travel and return. The happy ending which involved a period of absence, flight or travel added to the charm of young love and thus even though few novels could reach us in complete form, those...

The literary discourse has resulted in following three findings in connection with nature of love and its sources in ancient Greek novels:
(1) Some commentators claim that these romances focused on private emotions and preservation of self because Greece had lost a sense of collective identity amid Hellenistic and Roman influences. They argue that since Greece had lost authority in the political sphere, they turned to self to exercise some control and this emerged in the form of discipline in every area including romance.

(ii) Some critics have also seen this kind of romance as a reorganization of sexual protocol in the imperial period. Critics like Foucault argued that romance of this period contained influences of changing social times where women had gained prominence and there was a renewed sense of respect for marriage in aristocratic class.

(iii) The third context deals with refashioning of traditional themes where instead of choosing old themes in old ways, the authors chose to present them with a modernist touch thereby making them more elite, more fashionable and more in tune with their times.

How the tradition of Greek romance with its heterosexual inclination came about has found no unanimous consensus…