This work of art depicts a struggle between two ancestors, the Bungalung man and a Tingari man, the latter of whom was trespassing on sacred land (No author). The copious quantity of dots, particularly the white ones, evinces the full force of the elements invoked by the Bungalung Man to beat his opponent into submission. The power of the Bungalung man is evinced by the fact that he leaves

Art can come in many shapes, sizes, and mediums, yet one thing that all art has in common is its ability to connect to individuals and enable them to experience catharsis, that is illicit an emotional response. Some of the most awe-inspiring works of art are architectural such as the Lincoln Memorial, which bookmarks the National Mall in Washington, D.C. The Lincoln Memorial is impressive and its sheer magnitude and size

Art Museum Visit This particular piece of art is a limestone statue, which in all likelihood, originally was a painted piece. Limestone was a precious mineral, and would have most likely been honed and by prepared by a servant or slave for the artisan to work with. This statue is considered to be sculpture in the round as there are no additional supports required (Barnet 113). A great deal of detail

The artworks prevalent during the early Middle Ages in many ways stand between these two extremes. The art of this period was one that was both religiously inclined but also celebrated the human form and human nature that was to become so prominent in the Renaissance. In many ways much of early Medieval art was similar to the abstract and decorative art that we find in Islamic examples. An example

Art of Nursing According to Virginia Henderson Virginia Henderson has tremendously helped to bring a new perspective of the art of nursing. For this reason, her biographical sketch together with educational and professional details earned her the name the Modern-day Mother of nursing and the Nightingale of modern nursing. Virginia Henderson's theory was a major stride in the field of nursing and in the art of nursing. The theory has also

Adorno correct in charging that "art as commodity" has no redeeming aesthetic value? As frequently stated by Adorno, the 'aesthetic' element has failed to keep up with progresses in the art field. Ever since its expression as an area of examination, aesthetics has typically failed to achieve its goal of explaining, identifying or evaluating its object that, chiefly, continues to be art. Moreover, frequently, artists who doubted aesthetics' contribution raised