Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
Over the course of time, this gave many, the ability to express ideas from: Chinese mysticism and culture. Guang is the classic example of this, where a mysterious dragon is resting on a base. This is signifying, the belief in East Asian ideals and what they have tied to these different views (such as dragons). Where, the subject is depicted to be: powerful and larger than life creature (even though they are not real). ("China and Korea 1729")
The Neighing Horse
The use of stoneware, allowed artists the ability to be able to: create real depictions of actual people and things. This helped artisans to design a real life representation of their subjects. They would then paint these images, to illustrate the emotions and feelings that were being experienced. This is important, because it helped to create new ways that artists could be able to: represent their subjects and the world around...
As, the sculpture would represent a real life depiction of: the horses that were used by Tang dynasty. Where, the use of colors and the way the horse is well groomed is: highlighting the pride that they took in their animals. This significant, because it is showing how this form of art allowed many new depictions of different subjects in life. Over the course of time, this helped future generations to appreciate the life and times of the artist who created it. ("China and Korea 1729")
Clearly, the various innovations that were examined had a dramatic impact on the world of art. This is because they created new ways of: representing subjects and the times the artists were living in. As a result, the three works that were discussed are illustrating these new techniques and how they would impact future generations.
Narrative in Asian Art History Exporting Buddhism's Moral Authority Whether or not one accepts Hayden White's assertion that the will to narrativize history is inseparable from a will to impose moral authority in a specific social reality, a brief survey of the artworks of several important Asian religious sites shows that there were narrative works. A further look reveals that those narrative works took as their subject matter the most significant entity
Art History And Contemporary Art The world is a complex place and the old, outmoded, Eurocentric way we look at politics, economics and culture (art) may not be the right way to conceive the new order. Globalism describes, in fact, the increasing unification of the world through economic means (reduction of trade barriers, support of international trade, and mitigation of export and import quotas). They goal for globalization is to increase
Art Analysis: Art21 After reviewing the artists from Art21, the artists chosen are Pierre Huyghe and AI Weiwei as the subjects of this paper. The pieces the paper will be "This is not a time for dreaming" by Huyghe and "Forever" by Weiwei. Both pieces are installation pieces although the artists are not classified under the same grouping on the Art21 website. Weiwei is listed as "Featured in Change" and Huyghe
Some cultural traditions exist in complete isolation from neighboring regions. For instance, Korea and China do not have the well-developed geisha role for women or the Samurai class of warriors. Japan's indigenous Shinto religion is not practiced on the Korean peninsula or in China. Taoism, an indigenous Chinese philosophical tradition, did not take root in Korea or Japan. Geography is a factor in why Korea, Japan, and China have evolved different
Art Over the past several thousand years, the Chinese have contributed some of the world's most significant technological tools and inventions. Most of these inventions have had a tremendous impact on human history and it is hard to imagine life without any of them. Among the most influential of Chinese inventions include gunpowder/explosives; paper; moveable type; the magnetic compass; tea; noodles; matches; and silk. Of these eight inventions, the four most
Art Interpretation India & Letter INDIA 2011 & THE LETTER TO OTTAWA It's hard not to connect with the commonality of these two pieces: they are both comments and complaints. They each reflect what could be but what is not; perhaps what used to be but is no longer. It is difficult to tell if they reflect anger or disappointment or are just a call to make sure things get better. There