Further evidence for the possible value of noise for children with ADHD is presented by Abikoff et al. (1996). These researchers evaluated the effect that extra-task auditory stimulation had on academic task performance of children with ADHD. This was executed by studying both children with ADHD and normal students during the performance of arithmetic tasks during three different auditory stimulus conditions: high stimulation (music), low stimulation (speech) and no stimulation (silence). The findings indicated that the normal subjects performed similarly under all three conditions, while the ADHD subjects performance was significantly better under the music condition that the silence or speech conditions. This information could prove to be valuable for teachers in the classroom environment. The presence of music in the classroom during tasks such as arithmetic might facilitate the performance of students with ADHD. Since normal students performed equally well under all auditory conditions, the presence of music would not impede their performance at all.
Although the use of stimulant medications is generally used for the treatment of ADHD, other alternative, complementary treatments may be used to further improve the performance of children with this disability. There are several reasons why parents of children with ADHD may seek therapies other than drugs for treatment of the disorder. The pursuit of alternative treatments reflects the heterogeneity and complexity of ADHD (Baumgaertel, 1999). Music therapy has received attention from researchers as an effective therapy for children with ADHD. For instance, the use of auditory stimulation with individualized music has been shown to improve situational performance of children with ADHD during cognitive tasks (Baumgaertel, 1999). Could music therapy prove to be a valuable tool for teachers in the classroom with students that have ADHD?
Rickson (2006) examined the effects that instructional and improvisational models of music therapy have on the motor impulsivity of adolescents who have ADHD. The results of the study indicated that the instructional model of music therapy contributed to a reduction of restless and impulsive behaviors displayed by students with ADHD in the classroom. Therefore, based on these findings, teachers may find it valuable to include forms of music therapy through instructional models to improve performance of students with ADHD in several developmental areas including motor responses and cognitive tasks.
Jackson (2003) also investigated the use of music therapy with children who have ADHD. This researcher conducted a survey with the purpose of ascertaining exactly what music therapy methods are being used with children diagnosed with ADHD, how effective this treatment is, and the role that music therapy has in relation to other types of therapy.
Findings indicated that several different types of music therapy are used in the treatment of ADHD, and multiple types of goals are addressed through this type of treatment. Furthermore, the outcome of treatment using music therapy is generally perceived to be favorable for children with ADHD. Music therapy is an accessible option as well, and most referrals for treatment come from parents and teachers. Jackson (2003) does acknowledge that the vast majority of children with ADHD who receive music therapy are also on medication, and that his is in most cases necessary for successful treatment of this disorder.
Incorporating music into the classroom has been shown to be one possible way that teachers can improve the performance of students with ADHD through the use of auditory stimulation. Another auditory modality that may be an option is auditory integration training, or AIT. According to Schonbeck (2000), AIT is a specific type of auditory or music therapy rooted in the work of two French otolaryngologists Dr. Alfred Tomatis and Dr. Guy Berard. The premise on which this therapeutic method is based is that distortion in how auditory stimuli are heard contributes greatly to behavioral and learning disorders in children, such as ADHD. Essentially, training individuals with ADHD to listen in a particular way can stimulate cortical and central organization.
Central auditory processing (CAP) is the domain in which auditory integration is merely a facet. Schonbeck (2000) describes CAP how we process and integrate the auditory stimuli that we hear. Essentially, it may be understood as how we listen to what we hear, or how we form information from raw sensory data. Furthermore, CAP is the actual perception of sound and everything we do with sound stimuli, including attending to sound, remembering auditory stimuli, retaining the information in the long and short terms, the ability to selectively listen to sound, and to identify the location of sounds.
The treatments proposed by these two French therapies have similarities in their basis, but differ somewhat in their execution. The auditory integration training put forth by Berard consists of twenty half-hour sessions in which individuals listen to musical sounds through a stereophonic system using earphones. The...
Mozart especially did the trick. Einstein loved Mozart's highly organized, intensely patterned sonatas. He felt, as many before him, that music and the reasoning intellect were linked. Music and his scientific work...were 'born of the same source.'" (Dowd, 2008) a report conducted by the German Ministry of Education in 2007 while failing to uphold music having a long-term influence on intelligence did state findings of a "link between musical
Music The field of music therapy is an emerging one in medical practice. Nevertheless, there is a growing body of research to support the use of music therapy in a wide range of instances, one of which includes patients who are suffering from brain injury. This paper will review some of the literature on the subject in an attempt to understand how music affects the brain and is therefore useful in
W. Bardeen. Johnson, R. (2006) What's New in Pedagogy Research? The American Music Teacher v. Lecanuet, J.-P. Granier-Deferre, C., & Busnel, M.-C. (1988). Fetal cardiac and motor responses to octave-band noises as a function of cerebral frequency, intensity and heart rate variability. Early Human Development, 18:81-93 Lorch, C.A., Lorch, V., Diefendor, O and Early, P.W. (1994). Effect of Stimulative and Sedative Music on Systolic Blood Pressure, Heart Rate, and Respiratory Rate in Premature
Essentially, visitors in this setting were dealt with as they arrive and several different policies were used, depending on the situation. Farell, et. al. also based their visiting policy on the response of the patient. Many reported that when the unit was quiet visitors were usually allowed to stay as long as they liked, and if a patient were dying all rules and regulations were suspended. All nurses agreed
Are more encouraged by praise that is delivered physically rather than verbally -- such as by a handshake or a pat on the back rather than by a verbal "good job." Kinesthetic learners also tend to absorb information when given a great deal of tactile stimulation. I will explore this in greater detail below. Kinesthetic learners are generally better at expressing themselves in concrete ways. This includes expressing emotions. When kinesthetic learners
When something is emotionally riveting, furthermore, we can get lost it. If somebody was to try and get our attention in such a moment, we might not even notice the stimuli meant for us, and perceived by our subconscious. Evidence suggests that attention can concurrently isolate multiple locations for focus. Still not clear, however, is if this ability depends on continuous allocation of attention to the different targets, referred to
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