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Behind the comedy in this movie -- and it is a very funny movie -- is the recognition that much of what makes us miserable in our lives is the fact that we find ourselves limited in our sense of Self by the categories that other people bring to bear on us. And the more distant that we are from what our society considers to be "normal," the more our lives are likely to be constrained by other people's concept of the "Other."
The gay characters in this movie have far less latitude to define themselves in ways that serve themselves (rather than the straight individuals in the movie or a broader straight society in general) than is true of the straight characters. And the more closely the gay characters align themselves with what might be called a "normal gay identity" (for...
We may each think that we are the makers of our own selves, but this is in fact not the case. We exist, far more than we would like to admit, as fodder for other people's unconscious processes.
Antonia: Introduction etc. The landscape of the agrarian lifestyle in Nebraska is such that Mr. Shimerda is the least suited for this type of life. He has the soul of an artist and so longs for a more refined world in which to express himself. He is a man who needs to live among people with ideas who express those concepts in conversation, which is not the world he finds
Models of Family TherapyIn identifying the models of family therapy and the theories involved, the film used as the case study is �The Birdcage Film� of 1996. Nichols� film, released 26 years ago, remains strikingly relevant in its comical sensibility. This Birdcage film was a worldwide mainstream comedy that grossed about two hundred million dollars internationally. However, in Hollywood�s mid-nineties, the film was radical, with a great emphasis on the
Power Relations in Junichiro Tanizaki's Naomi The most powerful and lasting contributions to the literature of a given era are invariably penned by bold thinkers struggling to comprehend the ever changing world in which they live. Spanning the late 19th and early 20th centuries, the Japanese Meiji Restoration period, which was propelled by the fusion of industrialized economy and Western culture, and personified by the authorial brilliance of authors such as