Academic Level: Senior University Class: World Art Survey Instructions: 1. Choose a peace artwork give a complete description work. For: What material(s) made ?What size? Shape? Color? What depicted? Is object/work intact fragmentary? Damaged? You basically answering question "What ?" detail find.
The present work is focused on undertaking an in-depth analysis of two famous religious paintings: The Virgin and Child by Barnaba da Modena, an Italian painter from the fourteenth century, and The Elevation of the Cross by Peter Paul Rubens, a seventeenth century Flemish artist and diplomat. Following, by comparison, a thorough account of the two works' features, careful observation reveals more than one interpretation.
The Virgin and Child was created by Barnaba da Modena in 1360, and is deemed Gothic in style. It depicts The Virgin Mary holding a Child Christ in her arms, and rests undamaged to this day in Boston's Museum of Fine Arts. In terms of formal elements, it is 39.4 inches in height and 24.8 inches in width (100 x 63 cm), a religious painting executed by means of tempera on panel. The enduring framing edges might indicate that the painting was initially planned to be the central piece of a polyptych. A first impression is that of anachronism: its opulent golden background and the intricate striation outlines on the Madonna's mantle seem to indicate a much earlier conception, mainly Byzantine in nature. However, the Byzantine herring-bone pattern is clearly endowed with a more modern linear roundness.
Obvious from the start is the artist's careful attention to details, illustrated in the richly decorated background and characters' attire. Employing this general density automatically enhances the Virgin's gaze, making it charged with severity, intense. On further observation, one can identify the use...
Furthermore, a Sienese influence lies in facial roundness (the Child's face bearing a striking similarity to Ambrogio Lorenzetti's child paintings), with special emphasis on modeling eyes and lips. Finally, it can be assumed that the holy gilt haloes have been subjected to repair, most likely for the purpose of masking holes where, out of veneration, silver crowns had been attached to the painting's surface.
The Elevation of the Cross, oil on canvas, also called The Raising of the Cross, was created by Peter Paul Rubens and dates back to 1610. It is now located in the Cathedral of Our Lady in Antwerp, Belgium. Heavily laden with Italian Renaissance and Baroque elements (clearly influenced by Cravaggio, Tintoretto and Michelangelo), the painting tells a dramatic story of Jesus Christ's final moments through his crucifixion. Even though, by technique, it is a triptych panel painting, Rubens chose to apply more focus on the story in the center piece, the crucifixion itself.
The middle section, charged with tension and drama, portrays nine executioners who work together to raise Christ's body upright onto the cross. The characters' muscular build and the dynamic choice of color employed are a definitive mark of foreshortening. Rubens' wholesome use of color capitalizes on chiaroscuro, enlightening Christ's lowly saturated body and placing sharp intakes of shadow which serve to stress the muscular complexion of the executioners. Caravaggio's influence is visible in the diagonal manner of Christ's uplifting, a most distinct feature.
The triptych's other two sections describe an emotional trauma, struggle and contrasting reactions brought about by the event of crucifixion. On the left, there is a grieving Virgin Mary, John the Evangelist and some of Jesus' followers. The right section displays figures of punitive authority, embodied in ruthless roman soldiers…
But although the aim of many computer games may be bloody, they continue to provide a source of community and connection for me, and a sense of uniting fun with technology -- a spirit I hope to bring to the university community. Question Two: Focus: Potential to Contribute Rationale: UC welcomes the contributions each student brings to the campus learning community. This question seeks to determine an applicant's academic or creative interests,
Academic Profile of Home Schooling - a Case Study Home Schooling vs. Traditional Educational Methods Home Schooling Methodology Focus of the Practicum Culture Area of Inquiry Subject/Topic Areas Home Schooling as an Alternative Curricula and Materials Used for Home Schooling The Success of Home Schooling Evaluation Design Conditions for Change Timeline Chronology Legislative Information: Maryland: A Legal Analysis State Laws and Regulations - Maryland Goulart and Travers vs. Calvert County Home-schooled Kids Find Social Growth" Home Schoolers in the Trenches" Home School Academic Advantage Increases Over Time" Home Schooling." ERIC Digest,
Bauhaus After World War I, the nation state of Germany under the direction of architect Walter Gropius created a "consulting art center for industry and the trades" (Bayer 12). Called Bauhaus, "house for building," the school combined the role of artisans and craftspeople and included everything from architecture to theater to typography. When the school was forced to close during the Nazi regime in 1932, many of its artists moved to
A number of modifications have occurred within the area of arts instruction, leading to a redesigning of the whole curriculum. A few transformations involve modern trends like literacy training via art, worldwide popular culture, 21st-century abilities, social justice, art evaluation, cultural diversity, and interdisciplinary approaches. Teaching Literacy through Art According to Moody-Zoet, art-teaching offers distinctive and useful intellectual behaviors and skill sets which aid in the learning of other academic disciplines. The
Arts, Music, Lit Edward Henry Potthast Introduction and Biography Edward Henry Potthast has been remembered mostly for the beach scenes and the atmosphere of carefree ideals that he created. He was an American, born in 1857 (Bio, 2005). He passed away in 1927, but not before leaving his mark on the artistic world (Bio, 2005). He was generally considered to be one of the most significant American artists within the 19th-century and he came
He also asserts that government participation in the arts beyond its role as a consumer can pose significant hindrances to the artistic processes. He claims that politics tends to "seek stability, compromise, and consensus," and as a result avoids supporting art that may "offend majority opinion or go over its head" (38). The market, on the other hand, has "liberated artists…from the potential tyranny of mainstream market taste" (23). Is