Similarly, English architect Augustus Welby Northmore Pugin (1812 to 1852), best-known for his designs for the Houses of Parliament building of 1835, considered the Gothic style as the cornerstone of European Christianity and saw moral purity and spiritual authenticity in the religious architecture of the Middle Ages while also "glorifying the Medieval craftsmen who produced it." 7 Clearly, Pugin saw the historical past through the eyes of an idealist who clung

An integrated system was used in buildings where columns, pilasters, and entablatures came together as support. Arches were also used in building churches and other such structures. Semi-circular or segmental vaults were used which were mostly without ribs. In this era domes were not only used in churches but they were also used in building secular structures. Doors and windows usually had square lintels in the buildings of the

Architecture It is interesting to learn that Mid-Century modern is really an architectural, interior and creation purpose procedure that normally defines mid-20th century expansions in modern blueprint, architecture, and urban expansion from approximately 1933 to 1965. The period, occupied as a style descriptor even during the mid-1950s, was reiterated in 1983 by author Cara Greenberg in the name of her manuscript, Mid-Century Modern: Furniture of the 1950s, which celebrating the style

Gothic Architecture The ancient cities of Rome and Florence are layered ones. If one has the chance to walk the streets of these cities it is clearly that the they have had far more than the nine lives of the feline: Layer upon layer of human life and human ingenuity is displayed in the many different styles that line the streets. While we may tend to think of Rome and Florence

From approximately 1930 until the 1980s, rectangular and functional spaces were the chief form of architecture around the world in general. The latter part of the 20th century -- the 1980s onward -- saw change once again, however (2008). For the most part, 20th century architecture, however, "focused on machine aesthetics or functionality and failed to incorporate any ornamental accents in the structure" (2008). The designs were, for the

The history from the Renaissance to the Machine Age was defined by major technical and stylistic advances that allowed for much larger, taller, more elegant buildings, and higher degrees of functionality and architectural expression. In cultural and scientific matters, the Modern Era was characterized by an increasingly rationalistic trajectory of thought which was based on an ethos of the humanistic exploration of reality and truth. While in a cultural sense