In Miller's Batman, one sees a man waging war on a world that has sold its soul for empty slogans and nationalism: the Dark Knight represents a kind of spirit reminiscent of what the old world used to call the Church Militant -- he is virtue violently opposed to all forms of vice -- even those that bear the letter S. On their chests and come in fine wrapping. Miller's

In conclusion, Heinrich Wolfflin, an art critic of the early 1950's, points out that Leonardo's the Last Supper exhibits all of the classical elements of Western art and those of the High Renaissance. Also, the three major trends of 15th century painting, being monumentality and mathematically ordered space at the expense of movement and the freedom of movement at the expense of monumentality and controlled space, are all harmonized and

This work was in effect an environment in which the viewer could interact with the artwork. It consisted of a Twenty- two foot long city bus complete with passengers, a working coin box, and a driver who turns to greet each new viewer. Grooms was also to create The Tennessee Fox Trot Carousel, which consisted a fully operational carousel featuring 36 figurines and 28 scenes from his native home state

Clinical Psychology Dissertation - Dream Content as a Therapeutic Approach: Ego Gratification vs. Repressed Feelings An Abstract of a Dissertation Dream Content as a Therapeutic Approach: Ego Gratification vs. Repressed Feelings This study sets out to determine how dreams can be used in a therapeutic environment to discuss feelings from a dream, and how the therapist should engage the patient to discuss them to reveal the relevance of those feelings, in their present,

From this came our insistence on the drama of the doorstep" (cited by Hardy 14-15). Grierson also notes that the early documentary filmmakers were concerned about the way the world was going and wanted to use all the tools at hand to push the public towards greater civic participation. With the success of Drifters, Grierson was able to further his ideas, but rather than directing other films, he devoted his time

The professional manager held ultimate responsibility for construction, while the designer's authority with respect to the client receded. on-site work done by subcontractors was managed by large general contractors who provided the supervising engineers, and did not necessarily have to adhere to the designers places (Cuff 33). This change was a direct consequence of the arrangement of work in the Industrial Revolution, where specialisation was given new dimensions and