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¶ … artists be given free rein in the producing and displaying of works that are offensive, objectionable, or disparaging of certain people's beliefs and values? What responsibilities do artists have to their society? What responsibilities does the society have to its artists?
The job of artists is to hold up a mirror to society and comment on both the beauty and ugliness that exists in the real world. It is easy to showcase things that are beautiful. The museums of the world are full of pretty pictures which depict landscapes and lovely people in fancy dresses. However, there are also works of art in museums or galleries which are controversial, unsettling, and perhaps even downright ugly. Some works of art show things that most people do not want to see, such as material which is offensive, or objectionable, or even disparaging of the beliefs and values of others. Such works are not meant to be appealing...
Rather, they are supposed to make the viewer think about what they see and to make them feel uncomfortable. This makes them reflect on what it is they are really uncomfortable with beyond what is presented in the artwork. If a painting or a sculpture depicts racial or ethnic stereotypes it should not be because that is how the artist sees the world, but that the artist wants people to question these stereotypes and think on them more seriously than they might have before. So long as the artist is making a comment on aspects of society then the objectionable material should be allowed to be shown in works of art. If, on the other hand, the artist believes in these objectionable things and is using the first amendment and the cause of free speech to further hate and propagate stereotype and negative belief, then the motivations behind the work should make those creating and attending the exhibit…
Colin Rowe and Fred Koetter argued in Collage City that the designer should intervene in the existing city by adding to and adjusting what is already there, a process more like collage than any other art form. (Barnett, 1996, p. 185) The city as "collage" is possibly the finest metaphor for the urban world. Nowhere else do so many different people and purposes come together as in the city. No other
Post-Impressionist artists were interested in the ideas of Friedrich Nietzsche, particularly in his concept of the Ubermensch, a superman who would be capable through intense struggle of surmounting the lower forces that would limit his ability to achieve. The idea that man could evolve beyond his present capacities influenced the relationship of European man to previous cultures and to contemporary but less "civilized" societies. This paper explores the ways in
Art History Time Travel Our first stop will be the eighteenth century, where we will investigate Neoclassical painting. We will be visiting Sir Joshua Reynolds, as he works on his 1770 oil on canvas "Portrait of a Black Man" -- and we will be asking if the heroic structure of the painting is meant to contain some sort of ideological message, for example asserting the humanity of his subject against the
In other words Emotional Intelligence means that the individual is capable of: (1) Accurately perceiving emotions in oneself and others; (2) Uses emotions to facilitate thinking; (3) Understands emotional meanings; and (4) Manages emotions well. This model is referred to as the 'ability' model of emotional intelligence. (Mayer & Salovey, 1997) DANIEL GOLEMAN-PERSONAL & SOCIAL COMPETENCE Daniel Goleman proposed the model of emotional intelligence based on the Personal and Social competencies
OZ and Transition The Wizard of Oz provides Americans with a text that helps them make the transition from the country to the city and sets the stage for the commodified American popular culture of the 20th century. This paper will show how, thanks to its pristine (Emerald) beauty and adventurous episodes, Oz makes "the city" much more appealing than the muted, old-fashioned of America. It will also explain why Dorothy
It would help to remember that Churchill was an intense patriot, and he loved his country more than anything else in the world. This individual was also a great believer in the greatness and immensity of his country, and he was constantly aware of the historic role that England had played in Europe, in the Empire, and also in the world in general. Churchill was an individual who thrived