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¶ … art are closely enmeshed in the social and political culture of any given time. Hence the significant differences in different periods of art, and also the ability to differentiate between these periods. While changes between adjacent time periods may seem minor, they eventually accumulate to form wide differentialities between periods. Because human beings change, politics and society change, and therefore art will also be subject to change accordingly. As substantiation for this claim, one might consider the differences between the Renaissance and Romantic periods of art.
During the Renaissance, the church and a number of powerful families, such as the Medici, played a powerful role not only in politics, but also in influencing the arts. In the early fifteenth century, for example, Renaissance palaces changed from the rather austere designs of the past to include a more socially inclusive arcaded halls and family loggias. The focus of art during this time was then also the human being and the social setting.
In the Romantic era the focus moved from humanity to nature. This was largely due to the influence of the English. The poetry, painting and architecture of the time proves this. English works created during this time for example then is simpler than that of the Renaissance, in order to celebrate the greatness of nature rather than humanity. A further characteristic of this time is the revival of the concept of the Real. Realism and naturalism were preferred above the grand and intricate display of wealth for which the Baroque period was known.
The main difference between Romanticism and Baroque is that the focus has moved from humanity to nature, and from displaying the wealth of one's sponsor to the wealth of one's devotion to nature. Two different paradigms of art were thus influenced by two different countries - Italy and England - together with their political and social influences as dictated by the specific time periods focused upon.
Bibliography
Brion, Marcel. (1966). Art of the Romantic Era. London: Thames and Hudson.
Harrison, Charles, and Wood, Paul.(Eds) (1998). Art in Theory: 1815-1900. Oxford: Blackwell Publishers.
Van Schaack, Eric. (1964). Baroque Art in Italy. New York: McGraw-Hill Book Company.
Wackernagel, Martin (1938). The World of the Florentine Renaissance Artist. Trans. By Alison Luchs, Princeton, N.J.: Princeton University Press.
art is changed by the changes that occur in political culture. The writer presents examples and contrasts two of the following areas Baroque, Rococo, Neoclassicism, and Romanticism and argues the point of how the eras drive changes in artwork. In addition the writer devotes two pages to comparing three works of famous artists. Art has always been influenced by the masses. Political culture, and change have been driving forces behind
This structure contains a colonnaded dome, a Neoclassical version like that found at St. Peter's in Rome. However, although the entire building, both inside and out, reflects the Roman style, it is essentially Gothic. Another example is the Virginia State House in Richmond, designed by Thomas Jefferson (1743 to 1826) which resembles a Roman temple and is based on Jefferson's "admiration for the pure beauty of antiquity and as
Imagery and metaphor were extremely important in Baroque works, and sometimes metaphors became their own metaphors yet again. This poem's images are strong, such as "the iron gates of life," and they create an elaborate and memorable work that is truly Baroque in style. Included are many natural elements common in life, like birds, gardens, and even the sun, which are also elements that point to a Baroque, romantic
The exoticism and escapism of Romantic Art is manifest by the focus in the features of Napoleon on the bright or the wider scenes of the battlefield. However, it is the works of Francisco Goya that perhaps most perfectly epitomizes the intense individualism and emotion of Romantic art. Even the titles of Goya's works like "Yo lo Vi (This I saw)" and "Para Eso Yo Nacido (for this I
The geniuses strained the boundaries of the characteristic styles more evidently and more quickly than those of their contemporaries to bring about such seismic changes. Works Cited Baroque: Style." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/ Classical: Style." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/ Baroque: Musical Context." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/ Classical: Musical Context." The Essentials of Music. 23 Apr 2008. http://www.essentialsofmusic.com/ Ludwig van Beethoven." The Columbia Encyclopedia.
Music-Romantic Period 'ROMANTICISM' is a concept that can be easily recognized but is probably just as difficult to define. Like all other movements, Romanticism also emerged as a reaction to general idea, practices, social norms and political problems of the time. The general concept of romanticism sees music as an expression of intimate and sublime emotions. The period that can be categorized as romantic varies but generally covers the decades from