The entire first part of the story lends an air of similarity to the New Testament that is undeniable.
Using it as a foreground for the remainder of the story enhanced the overall veracity of such a narrative. To read the allusions made to the life of Christ and at the same time to the life of Cincinnatus was an intriguing ploy by Vladimir that allowed the reader to both explore and understand the methodology of which he was using to present the story.
Further references and allusions throughout the story are as evident as the ones written about above. One of the easiest to discern came towards the last of the book when first the assistant director speaks to the crowd and then nimbly turns the stage over to M'sieur Pierre who directs Cincinnatus to disrobe of the 'little shirt' before being shown how to lie down for execution. Much like leading the lamb to a slaughter, this passage depicts the final execution and its simplicity.
Cincinnatus completely loses his...
Violence, Violent Artistry In 1944, with the terrible storm clouds of World War II scorching the earth, scholar Anna Banti turned her mind to a very different subject, reaching back over the centuries to pen a biography of the Baroque painter Artemisia Gentileschi. Banti lost that manuscript during the chaos of the war, but in 1947 she began another book on the same subject. This second book, titled simply Artemisia,
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