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Bonnie G. Smith Begins Book Announcing: This

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Bonnie G. Smith begins book announcing: "This book inserts term 'gender' account historiography West In many ways, one can read Bonnie G. Smith's book The Gender of History, as merely stating the obvious. That she does so in an abu7ndance of detail and varying perspectives while stratifying some of the fundamental concepts that make up historiography...

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Bonnie G. Smith begins book announcing: "This book inserts term 'gender' account historiography West In many ways, one can read Bonnie G. Smith's book The Gender of History, as merely stating the obvious. That she does so in an abu7ndance of detail and varying perspectives while stratifying some of the fundamental concepts that make up historiography makes her conclusion none the less obvious.

One can simply deconstruct the term history and see that there are inherent gender implications -- professional and scholastic history is, for the most part, the account of some man or men (typically Caucasian) rendering an 'official' accounting of events past. As such, that accounting is going to be written from the perspective of this universal male symbol of authority and address those things that he wants addressed, while favoring those things he believes posterity will need to regard as important.

The author's assertion (1998), then that "the development of modern scientific methodology, epistemology, professional practice and writing has been closely tied to evolving definitions of masculinity and femininity" (p. 1) is exceedingly accurate (and only omits the question of race, which is equally as prevalent and important). In fact, the author's statement serves somewhat as a guide through the various tenets and eras of historiography that her manuscript covers.

One of the most basic principles of Smith's work is that during the time period in which modern historical writing began -- which dates from the latter portion of the 18th century -- history was written by both male and female authors. Not surprisingly, the works of the latter were professional and deemed as more valuable and authoritative than those of the latter, which were frequently trivialized as amateur.

This fact is of immense importance especially in terms of providing the validity of Smith's thesis (that historiography has been stratified to favor the perspective of men), because it suggests that the historical writings that have populated contemporary academia did not have to be written solely by men. More importantly, however, the author propounds the notion that in the 19th century, history was effectively dichotomized between the two genders.

There were facets of history which were generally considered feminine (and therefore less important) than other facets of history which were considered masculine. This dichotomy came from some of the writers which were comprised of women and who wrote history which was not professional or academic in nature. Oftentimes, such historical accountings were largely about social and cultural issues, and offered a plethora of detail about the intricacies of a particular setting or clothing that an important personage (many of whom were women) wore.

Therefore, the history that was written by men was somewhat reactionary to the writing of women's history in that it focused less on the aforementioned elements while striving to elicit a less flowery, universal imperative view of history. This type of history was frequently based on governmental importance and made every sort of attempt to eschew the type of history that was attributed to the writing of women. Thus, even in attempting to avoid the historical writings of women, that of men was inherently influenced by it.

Women's history was considered "sensual rather than the rational"(Smith, 1998, p. 3) history that men attempted to produce. One of the most important parts about Smith's book is that which deals with 20th century history. In a deliberate attempt to incorporate various aspects of modernity into the discipline of professional, academic history, the author asserts the notion that there was an attempt to bridge these two versions of history.

Modernism accounted for the fact that (up until that point) most of the published professional history was written by men, and considered the notion that it was beneficial to include alternate perspectives and notions of aesthetics into the field -- some of which naturally included the type of history that had been ascribed as feminine. Thus, the author asserts that there was a dedicated effort to utilize some of the types of history which had previously been eschewed due to its regard as feminine.

The effects of compiling these different types of history and historical writing into the academic field were multitudinous. The copious amount of details found in the writing of women assisted in the more barebones approach of male writers by fleshing out various events, as well as broadening the scope of them. As such, history took on more utilitarian qualities, in which it was emblematic.

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