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Furthermore, animals are given much more respect within entertainment than otherwise. Animals are viewed with both awe and joy by those who are watching them. They raise the level of awareness we feel for animals and make the audience care more. They would receive no better treatment were they "in the wild" or domesticated. Having animals in entertainment can be equivalent to having a pet at home, both of which is not demeaning as a rule.
Using Animals within entertainment does not hurt animals, on the contrary it helps improve their overall image within audiences, and at the same time they receive special and respectful...
It is a win-win situation for both sides.
Anderson, Kay. 1998. Animals, Science and Spectacle in the City, in Jennifer Wolch and Jody Emel (eds) Animal Geographies: Place, Politics, and Identity in the Nature-Culture Borderlands. 27-50. New York: Verso.
Beardsworth, Alan and Alan Bryman. 2001. The wild animal in late modernity: The case of the Disneyization of zoos. Tourist Studies 1(1):83-104.
Bostock, S. 1993. Zoos and Animal Rights. London and New York: Routledge.
Croke, Vicki. 1997. The Modern Ark: The Story of Zoos, Past, Present and Future. New York:…
Beardsworth, Alan and Alan Bryman. 2001. The wild animal in late modernity: The case of the Disneyization of zoos. Tourist Studies 1(1):83-104.
Bostock, S. 1993. Zoos and Animal Rights. London and New York: Routledge.
Croke, Vicki. 1997. The Modern Ark: The Story of Zoos, Past, Present and Future. New York: Scribner.
Tom Shulich ("ColtishHum") A comparative study on the theme of fascination with and repulsion from Otherness in Song of Kali by Dan Simmons and in the City of Joy by Dominique Lapierre ABSRACT In this chapter, I examine similarities and differences between The City of Joy by Dominique Lapierre (1985) and Song of Kali by Dan Simmons (1985) with regard to the themes of the Western journalistic observer of the Oriental Other, and
post, questions How categorize point view [e.g., -person, -person (i.e., "), -person limited, -person omniscient]? Is point view consistent story (told perspective), shift points narrative? (If, make note occur. The point-of-view of this rendition of "Little Red Riding Hood" could best be characterized as third-person omniscient. The narrator knows everything that is transpiring in the story as it happens, even though certain aspects of the tale (such as the fact
The German suffering after the first world war and the humiliation of Germany with other nations gave the Nazis the opportunity to feed hatred of the Jews and at the same time promise that if the People gave in to the Nazi ideology, they would be in the land that would hold them a superior way of life. That the followers of Hitler followed the Ideals as true and that
In "Piaf," Pam Gems provides a view into the life of the great French singer and arguably the greatest singer of her generation -- Edith Piaf. (Fildier and Primack, 1981), the slices that the playwright provides, more than adequately trace her life. Edith was born a waif on the streets of Paris (literally under a lamp-post). Abandoned by her parents -- a drunken street singer for a mother and a
When the dentist asked Walt to come over to finalize the deal, Walt had to admit that he did not have the $1.50 to recover his shoes from the local cobbler. The dentist not only came to Walt to hand over $500 for the deal, but also gave him the cobbler's fee. Walt then began work on Alice's Wonderland, in which a child was placed against a cartoon background,
" The point made by the poet is similar to the poem above. The reference to John, The Father of our souls, shall be, John tells us, doth not yet appear; is a reference to the Book of Revelations, at the end of the Bible. That despite the promises of an Eternal life for those who eschew sin, we are still frail and have the faults of people. We are still besought by sin