¶ … cultural movements of European art after the Renaissance, namely those style periods of Mannerism, Baroque, and Rococo. In the late sixteenth century, Mannerism was a unique artistic technique that made use of distortions of scale and viewpoint. The Baroque movement in art and architecture enhanced Europe between the early seventeenth and middle eighteenth centuries as it emphasized dramatic and at times tense affects. The Baroque artists and sculptures consistently used very bold, curving forms, and extremely elaborate ornamentation. However, unlike Mannerism, they emphasized balance of incongruent parts. The Baroque musicians of the period also flourished throughout Europe and were known for their expressive dissension and complex embellishment of tones. Rococo, which originated early in eighteenth century France and may be considered by some experts as merely an extension of the Baroque movement, was an artistic approach used to create beautiful architecture and art works that were often based on flora and animal forms and often adorned by extremely complicated...
Even Rococo musical composition was characterized by its elevated degree of embellishment.
To truly understand some similarities of these cultural movements, it is best to understand why they came to be in the first place. They each represented change and sprang out of desires to be free of the previous movement's restrictions or limitations. Just as the Renaissance was in itself an effort to escape the dead period called the Middle Ages, Mannerism stormed away from the innate order and balance of the Renaissance. Mannerism promoted new ideas like imbalance and it allowed for works that were crowded, jumbled and used bold harsh colors. People wanted to revolt against the self-contained spatial arrangements of the Renaissance -- they wanted to be a little more playful.
Consider the origins of the Baroque movement which was also a shift away from control. Control in this sense came from political and religious upheaval with the 30 years war, conflicts between Catholics and Protestants, Puritans being forced to flee…
Modernism: Depth Analysis European Art Works 1860-1935 Modernism, in its widest meaning, is considered to be modern belief, eccentric, or practice. To add a little more, the word gives a description of the modernist movement occurring in the arts, its set of cultural propensities and related cultural actions, initially rising from wide-scale and extensive differences to Western civilization in the late 19th and early 20th centuries (Baker 2005). In specific the
To wit, there has been a "large-scale migration to the big cities, Pohlit explains, and that has "inclined the balance of power in cultural matters in favor of the poor and uneducated." Hence, the intellectual upper class now operates from a "narrow retreat, now itself a pariah," Pohlit continues. And that intellectual upper class of course has all the Western classical music it can possibly listen to, but it remains
Cultural and Social Influence of Neoclassical Artist (Antonio Canova) Antonio Canova Culture and social influence of the Neoclassical artists Antonio Canova's life was mainly of sculptor because his father, Pietro Canova, was a stonecutter of Possagno. His became brought up with his grandfather, Pasino Canova (1714-94), who was a mediocre sculptor specializing in altars with low reliefs and statues in late Baroque style such as Crespano. In 1770 Antonio became an apprenticed of
Art of classical antiquity, in the ancient cultures of Greece and Rome, has been much revered, admired, and imitated. In fact, the arts of ancient Greece and Rome can be considered the first self-conscious and cohesive art movements in Europe. Style, form, execution, and media were standardized and honed to the point where aesthetic ideals were created and sustained over time. The art of classical antiquity in Greece and Rome
Art During Renaissance The Evolution of Art During the Renaissance The Renaissance period is defined as a cultural movement that spanned approximately from the 14th to the 17th century, beginning in Italy in the Late Middle Ages and later spreading to the rest of Europe (Brotton 2006, p. 6). This period in the history of art included the painting, decorative arts and sculpture of the period and for many was considered a
Art History: The Impressionists Baroque The word baroque has no clear origin. Some says that it came from a medieval philosophical word connoting the strange or the ridiculous, some consider it as derived from the Spanish barueco or Portuguese referring to an irregular shaped pearl. As 18th century was coming to an end baroque find its way to art criticism terminology in form of epithet leveled against art of the 17th century,