Clearly, rain is important in the desert southwest, which is why it is such a common and important thread in the two books.
The viewpoints of the two books could not be more diverse. De Baca writes of others in a somewhat detached third person. She does speak of herself at times, and her memories are warm and loving, and greatly detailed. However, this is not a story about her; it is a story about the land and the people. On the other hand, Wyaco's story is all about his interaction with his culture, and his attempts to blend into two different cultures relatively seamlessly. Reading them together gives a more complete view of New Mexican history, but they are very different in their styles and what they attempt to accomplish.
There are many other differences between these books, as well. De Baca's work covers an earlier point in New Mexican history, and concentrates on the Hispanic and white history of the area. In fact, her book never mentions the Zuni tribe even once, and the Zuni were one of the Native American tribes present in New Mexico long before the conquistadors conquered Mexico and took the area as their own. Her book covers the ranching history of the area, while Wyaco's book covers his birth to nearly present day. De Baca's work shows how at home she feels in New Mexico, and how she feels it "belongs" to her people. Wyaco, on the other hand, feels disenfranchised, unable to live as he wants in his own country because of prejudice and hatred by the Whites. He notes, "Our traditional enemies, the Navaho and the Hispanics, no longer threaten us. Everyone else is lumped under the term 'Anglo' throughout the southwest, though the Zuni called them 'Whites.'"
Perhaps the biggest commonality between these two books is their portrayal of new settlers coming into the region and wresting the area away from those natives already settled there. De Baca writes, "Cattle companies began to push forward and the New Mexican sheepman and small cattleman, who was usually a lone owner,...
Before Anglos came to dominate the land, Cabeza de Baca portrays a kind of paradise-like environment, where even the sheepherders were like "musicians and poets" and "the troubadours of old," and every person had a story (Cabeza de Baca 11). This has been called a method of "preserving the culture" against the dominant discourse of Anglos: Cabeza de Baca, along with other writers of her generation are portrayed as
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