Hagia Sophia The Triumph Of Research Paper

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The building is deeply symbolic for Christians, Muslims, secular Turks, and historical conservationists. Architectural historian Robert Ousterhout points out that "each group looks at Hagia Sophia and sees a totally different building" (qtd. In Bordewich 5-6). In his article, Bordewich examines the multiple agendas and suspicions of the groups seeking to control the restoration of the building, bemoaning the fact that the building is currently stuck in an "ideological no-man's land" (6). In the meantime, one of the premier examples of extreme architecture, Eastern Roman power, Christian iconography, and Muslim decorative arts falls prey daily to the natural forces of decay, and runs the risk of being destroyed utterly by an earthquake or even by religious extremists. Even the grand ambitions...

...

Instead, modern society must marshal the ingenuity of its own visionaries and architects to ensure that this gem of engineering and art remains for future generations.

Sources Used in Documents:

References

Bordewich, Fergus M. "Fading Glory." Smithsonian 39.9 (2008): 54-64. History Reference Center. EBSCO. Web. 10 Nov. 2010.

Krautheimer, Richard. Early Christian and Byzantine Architecture. New Haven: Yale University Press, 1992.

Nelson, Robert S. Hagia Sophia 1850-1950: Holy Wisdom, Modern Monument. Chicago: University of Chicago Press, 2004.

Salvadori, Mario, Saralinda Hooker, and Christopher Ragus. Why Buildings Stand Up: The Strength of Architecture. New York: W.W. Norton & Co, 1990.


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