Pedagogy and Wine
For this study into my own personal experience with pedagogy, I chose the subject of wine and wine tasting to learn about. Over the course of 2 months, I immersed myself into the world of wine drinking in order to better understand and distinguish the types of wine. Knowing next to nothing about wine and not being a wine drinker at all prior to this study, I entered into this subject with essentially little more than curiosity and a willingness to be educated. Along the way, I found that this willingness on my part, supported by my overall curiosity, enjoyment of the subject and learning process, and sense of bettering myself by obtaining a deeper or wider knowledge of wine, all contributed to the success that I experienced throughout this pedagogical process. This paper will examine the ways in which I set about this process and show how I systematically paid attention to my own growth and development during the process. The fruit of this endeavor has been two-fold: first, I now know more about wine than I did when I started; and, second, I now have a better understanding of how the pedagogical process works on a fundamental level.
There are many theories of pedagogy that scholars have developed as a result of their own experiences with learners. Freire (2000) is famous for describing a "pedagogy of the oppressed" which puts the ultimate onus of learning on the student and the community, which is responsible for taking back "education" from the Establishmentarian system that uses "learning" as a tool to support the control of the ruling class. This pedagogical system is somewhat in alignment with the Herbart's theory of pedagogy in that both approaches view learning as an exercise that leads to personal development/betterment and thereby social betterment and the individual's ability to give greater contributions to society (Kenklies, 2012).
Method of Engagement, Pedagogical Approach and Choice Rationale
How a person learns can be as unique as people themselves are. Boyle, Duffy and Dunleavy (2003) for example show that, according to the four-factor Vermunt model, students can learn in a variety of ways: meaning-directed learning, which focuses on identifying meanings; reproduction-learning, which focuses and reproducing answers; application-learning, which focuses on understanding how to apply lessons and oneself; and undirected-learning, which has no real focus but the whim of the student/teacher. I began my study with a meaning-directed focus, but soon found that I was being too narrow in my approach. Thus, I converted to an undirected-learning approach and allowed my experience to be shaped by the various environments into which I entered so as to expose myself to more wines and thereby develop my palate. For me, this is an exercise in "primary learning" -- the sort of "random" learning that children engage in, which they must later modify and arrange as they grow older (Chodorow, 1999, p. 190).
The expectations I had about bringing strengths to this study was that I could be open-minded and committed to involving myself in the process. The challenge that I knew I would face was in overcoming that complete lack of knowledge that I had about wine. (For example, if it all comes from grapes, how/why are there so many varieties?).
The theoretical approach that I found to be most appropriate in my aim was that put forward by Wang (2016) in his work-in-progress manuscript on teacher educator William Doll. Wang's work is filled with anecdotal stories that embrace a style of teaching that is somewhat Socratic in a way but that also conveys a sense of how we learn from simple narratives. It is a pedagogical process that is similar to the use of parable as a teaching tool: complex ideas are communicated in simple plots that are full of dimension and depth. As Trueit (2012) notes, "story, with its origins deep inside a culture, represents that culture in a way science with its more formal, rational, and logical way of seeing never can attain. Story has a personal truth to it" (p. 22). Thus Wang does not describe his process as the collection of data, which he labels an "inauthentic" exercise in connection with what he is attempting to do, which is rather phenomenological in its methodology. Wang calls it a "topical life history approach" (p. 3) but it could just as easily be identified as a phenomenological approach because Wang is putting himself at...
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