36).
Although many people consider the role of a librettist to be less important than that of a composer, matters were different in France during the seventeenth century. When normally in production, operas credited the librettist at first and the composer consequent to that. Louis XIV in particular believed that poetry had been much more important than music, with opera being a combination of the two in which music was simply meant to make poetry accessible to a larger crowd. Another reason for which people today are inclined to consider Lully less important than he actually was might be that French opera is at the moment shadowed by operas produced by Italians, Austrians, and Germans (Howard, 1989).
One of the elements that are expected to bring French operas back among the most notable artworks related to opera music is the fact that they contain a lot of bass, which is by and...
Guglielmo tries to comfort Ferrando, but he himself is thankful that his lady, Fiordiligi, seems to be strong. In one last attempt to prove both of the ladies fickle, Ferrando threatens suicide, and Fiordiligi gives in to him. Just as a double wedding is being arranged, Guglielmo and Ferrando enter, pretending to be returning from their regiment. When the women discover that they have been wooed by their lovers
Exoticism in 19th & 20th Century Opera Exoticism in 19th and 20th Century Opera Exoticism was a cultural invention of the 17th Century, enjoying resurgence in the 19th and 20th Centuries due to increased travel and trade by Europeans in foreign, intriguing continents. The "West," eventually including the United States, adapted and recreated elements of those alluring cultures according to Western bias, creating escapist art forms that blended fantasy with reality. Two
For example, the scene in which Andrea stands before the statue of Marat and sings "Credi al destino" fails to evoke for me any real sensation. Perhaps it is because, as Grout suggests, the opera is "laden with harmonies that are heavy and oldfashioned [and] has little of special interest" (p. 495). Such could explain why the scenes feel at time clunky and abysmally lacking in flair. Still, at
Schikaneder was both an actor and a producer in Vienna for a playhouse that traditionally catered to "lowbrow" audiences (Loomis 2). Mozart's brand of comedy was just the thing for Schikaneder's theater. But "lowbrow" was merely one aspect of Mozart's comedic ventures: they could be equally stunning, poised, high-minded, honest, and full of common sense at the same time. Like the man, they resembled a mystery that could not
In other words each music performance is different and the impulsiveness of each performance confirms the concept of indeterminate music. 6) Describe an Indonesian Gamelan. (Textbook p. 282-283) It said that Debussy, when he heard the Indonesian ensemble called gamelan was surprisingly delighted at its diverse and delicate timbers, and decided to use the elements in the impressionistic sound which he was working at developing. The gamelan, a distinctive Indonesian orchestra consisting
A fourth foundational element is the strength of the Starbucks brand itself and is ubiquity globally. As a result of rapid and well-defined strategies for opening up retail stores, Starbucks is now considered one of the most preeminent and strongest brands globally. Starbucks has generated the strength of their brand through combining high-quality coffee and tea beverages with the third-place concept to generate customer loyalty and world-of-mouth among customers and their
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