In that respect, it was racism and social exclusion that isolated African-American musicians of those eras and led to the evolution of different music. In principle, African-American music of the early 20th century evolved in the same way as Darwin's famous finches of the Galapagos Islands: community isolation.
Substantially because of the effects on African-American soldiers of returning to a segregated society after their combat experiences during Word War II, racial pride popularized expressions of unity and terminology of self-elevation such as the use of "Man" among and between African-Americans. It is likely that this intensified and grew tremendously in common usage by the onset of the Civil Rights Era of American 20th Century History. In principle, African-Americans probably used "Man" as a specific way of rejecting and putting to rest the long-used pejorative "Boy" used for generations to subjugate African-American males regardless of their chronological age or their relative chronological age to any white person. Thereafter, it lost its original connotation but remaining within the vernacular as well as spreading widely to much more general usage among non-African-Americans as well.
Contemporary Thoughts on the General Phenomenon of Black Baptist Churches
Clearly, the institution of the Southern Baptist Church also played a significant role in the development and spread of many aspects of African-American...
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