Immigration Historian Oscar Handlin once wrote, "I thought to write a history of immigrants in America. Then I discovered that the immigrants were American history." Indeed, no other country in the world can claim to being a "nation of nations," and to having the same diversity of nationalities and ethnicities. This diversity has always been a source of national pride but it has been a source of friction as well. The United States

" (41) it is unclear how to understand "things are because we see them." Traditionally perception is conceived as a passive process: we open our eyes and receive input from the world. Kant suggests that perhaps it is not so passive: we "organize" the world into temporal and spatial dimensions, attribute cause and effect, etc. But what Wilde suggests here is even more radical. The "things are because" suggests a

Color Purple- Film and Book The Color Purple is a deeply through-provoking and highly engrossing tale of three black women who use their personal strength to transform their lives. Alice Walker's work was published in 1982 and it inspired Steven Spielberg so much that he began working on its film version as soon as the novel won accolades for its brilliant storyline and powerful narrative. However the movie, though it

B. Human development and evolution across all cultures mean that there will be a gap between older generations, who tend to cling to outdated ideals and paradigms, and younger generations, who tend away from the traditional and towards new developments. While there are merits in both positions, subscribers to each respective position seldom see the value in the viewpoint of the other. Hence, the conflicts that arise are often difficult to

Although the events and characters' reactions to them have their differences in the interest of plot variety, similarities between the cases far outweigh the differences. Not only are the events that Nel and Crowe experience and their reactions to them similar, but also both characters have striking revelations at the end of their stories that suggest the importance of the events. In Nel's case, the remembering "the death of chicken

As he himself admits, "I have a very grim perspective. I do feel that it's a grim, painful, nightmarish meaningless existence, and the only way to be happy is if you tell yourself some lies. One must have some delusions to live" ("Cannes 2010: Woody Allen on Death -- 'I'm Strongly Against It'"). What Midnight in Paris is for him (and us), therefore, is a kind of distraction from