Sign Up Now
Get instant access to over 1 million+ study documents
OR
Already registered? click here to login
By creating your account, you agree to our terms of service, privacy policy and student honor code.
Robert Rauschenberg, premier American visual artist, saw things differently than the ordinary human being. For Rauschenberg, mundane matter can be magically transformed onto canvas to convey something entirely different than it was intended for. Rauschenberg's works include elements of everyday life from street signs to magazine clippings. A Rauschenberg canvas begs the viewer to see things as Rauschenberg does: with humor, insight, and creativity.
Born in 1925 in Texas, Rauschenberg studied art formally in the United States and in Paris. However, his initial inspiration to become an artist arrived under unusual circumstances: while he was stationed on a naval base in San Diego, Rauschenberg visited the Huntington Library collection, which sparked a lifelong passion. Rauschenberg worked as an illustrator and window designer and rubbed elbows with other contemporary visual artists. Rauschenberg also associated with performance artists, musicians, and choreographers and was able to contribute to the American creative scene. Throughout his...
Rauschenberg traveled throughout the world to promote the arts and encourage funding for arts programs.
3. Although he was traditionally trained, Rauschenberg had the foresight to predict and capitalize on transformations in artistic media and in the early 1960s experimented with silk screening on canvas and collage. The subject matter of Rauschenberg's collages, known as "combines" because of their multimedia, spans a wide range of elements but generally incorporates issues pertaining to modernity, urbanism, technology, and American popular culture. Thus, he captures familiar elements in unfamiliar ways, and transforms otherwise ordinary objects into magnificent pieces of art. For instance, with "Retroactive I," Rauschenberg places a blue-tinted photo of President John F. Kennedy in the center of the collage. The size of Kennedy's picture in comparison to the other objects…
Works Cited
'Robert Rauschenberg." Learning Disabilities Online. Online at < http://www.ldonline.org/first_person/robert_rauschenberg.html>.
Art History Roy Lichtenstein -- Stepping Out is a painting done in oil and magna on canvas by Roy Lichtenstein. (Magna is a plastic painting product made of permanent pigment ground in acrylic resen with solvents and plasticizer. This material mixes with turpentine and mineral spirits and dries rapidly with a mat finish) (www.artlex.com/ArtLex/M.html).Painted in 1978, this work is 85 inches in heighth and 70 inches in width, 218.4 cm by
Laid on its side, Rauschenberg's "Bed" contains the same visual and tangible objects as a real bed. "Bed" seems like more than a representation of a bed; it could just as well be one especially given the use of actual bedding. The expansion of the visual plane and the reworking of the canvas paralleled expansions of consciousness. Those transformations in consciousness and their impact on the art world were a
Like many of the Pop Artists, Hockney frequently experimented with the media of his work, delving into both photography and film, and even set design. Photography, film, and other new media have proved to be a 'natural' outlet for Pop Artists. Since Pop Art cannibalizes the subject matter of popular culture, using the other tools of popular culture such as reproduction and the moving image seems like a natural progression.
While that process may be somewhat apparent in Kurt Schwitters's Merz pictures from this era, the artist was not so radical as to defy all means of self-expression - he clearly could not help himself from interfering by shaping his materials into a form that may not have seemed coherent at the time, but from a historical perspective, certainly seems to make sense. Both works seem to evoke a
Modernist Painting 1965 by Clement Greenberg Modernity In "Modernist Painting," a 1965 essay by author Clement Greenberg, the writer elucidates a number of points that are fairly crucial to the definition and conception of the philosophy known as Modernism. Along with distinguishing a number of examples of this line of thought that applies to disparate fields such as science, formal philosophy (largely originating from Immanuel Kant) and literature, Greenberg focuses the duration