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Both works seem to evoke a melancholy mood in the viewer once one realizes that such rigorous means of experimentation are largely absent from the activities of artists in today's art world.
Works Cited "Interview with Robert Rauschenberg." Smithsonian Archives of American
Feaver, William. "Alien at Ambleside." The Sunday Times Magazine, August 18, 1974.
Retrieved 30 March 2008 at http://fp.armitt.plus.com/alien_at_ambleside.htm.
Krcma, Ed. "From Evacuation to Fullness: Rauschenberg in the '50s." Stammtisch Forum.
Retrieved 29 March 2008 at http://www.stammtischforum.org/synopsis_Rausch.html.
Larson, Kay. "Cage Was Not Only All Ears, He Was All Eyes, Too." New York Times, Feb. 4,
Seckler, Dorothy. "Interview with Robert Rauschenberg." Smithsonian Archives of American
Art, December 21, 1965. Retrieved 30 March 2008 at http://www.aaa.si.edu/collections/oralhistories/tranSCRIPTs/rausch65.htm.
Webster, Gwendolen Freundel. "Kurt Schwitters." Artchive, 1998. Retrieved 30 March 2008 from: http://www.artchive.com/artchive/S/schwitters.html.
Read, as quoted in Feaver, William. "Alien at Ambleside." The Sunday Times Magazine, August 18, 1974.
Art, December 21, 1965. Retrieved 30 March 2008 at http://www.aaa.si.edu/collections/oralhistories/tranSCRIPTs/rausch65.htm.
A reproduction of this painting, alongside an untitled gold painting from the same era, can be found online at http://images.google.com/imgres?imgurl=http://farm1.static.flickr.com/208/447751690_ad6b003cc5.jpg&imgrefurl=http://theartofmemory.blogspot.com/2007/04/plants-earth.html&h=232&w=500&sz=102&hl=en&start=1&um=1&tbnid=SKMmQ6G9fruw5M:&tbnh=60&tbnw=130&prev=/images%3Fq%3Drauschenberg%2Bdirt%2Bpainting%26um%3D1%26hl%3Den%26safe%3Doff%26client%3Dfirefox-a%26rls%3Dorg.mozilla:en-U.S.:official%26sa%3DN.
Walter Hopps, quoted in Larson, Kay. "Cage Was Not Only All Ears, He Was All Eyes, Too." New York Times, Feb. 4, 2001.
Krcma, Ed. "From Evacuation to Fullness: Rauschenberg in the '50s." Stammtisch Forum.
Retrieved 29 March 2008 at http://www.stammtischforum.org/synopsis_Rausch.html.
Works Cited
Feaver, William. "Alien at Ambleside." The Sunday Times Magazine, August 18, 1974.
Retrieved 30 March 2008 at http://fp.armitt.plus.com/alien_at_ambleside.htm.
Krcma, Ed. "From Evacuation to Fullness: Rauschenberg in the '50s." Stammtisch Forum.
Retrieved 29 March 2008 at http://www.stammtischforum.org/synopsis_Rausch.html.
Art, December 21, 1965. Retrieved 30 March 2008 at http://www.aaa.si.edu/collections/oralhistories/tranSCRIPTs/rausch65.htm.
Webster, Gwendolen Freundel. "Kurt Schwitters." Artchive, 1998. Retrieved 30 March 2008 from: http://www.artchive.com/artchive/S/schwitters.html.
Retrieved 30 March 2008 at http://fp.armitt.plus.com/alien_at_ambleside.htm.
Art, December 21, 1965. Retrieved 30 March 2008 at http://www.aaa.si.edu/collections/oralhistories/tranSCRIPTs/rausch65.htm.
A reproduction of this painting, alongside an untitled gold painting from the same era, can be found online at http://images.google.com/imgres?imgurl=http://farm1.static.flickr.com/208/447751690_ad6b003cc5.jpg&imgrefurl=http://theartofmemory.blogspot.com/2007/04/plants-earth.html&h=232&w=500&sz=102&hl=en&start=1&um=1&tbnid=SKMmQ6G9fruw5M:&tbnh=60&tbnw=130&prev=/images%3Fq%3Drauschenberg%2Bdirt%2Bpainting%26um%3D1%26hl%3Den%26safe%3Doff%26client%3Dfirefox-a%26rls%3Dorg.mozilla:en-U.S.:official%26sa%3DN.
Retrieved 29 March 2008 at http://www.stammtischforum.org/synopsis_Rausch.html.
World War I: Dada The literary and artistic movement known as Dada originated in the Swiss city of Zurich, at the time of the First World War, as a response to the War as well as the nationalism considered by many to have sparked the war. Inspired by Futurism, Cubism, Expressionism, Constructivism, and other innovative movements, Dadaism's output ranged from poetry, collage, and painting, to performance arts and sculptures (Jones, 2002;
Lesson Plan Amp; Reflection I didn't know what state you are in so was unable to do state/district standards! Lesson Plan Age/Grade Range; Developmental Level(s): 7-8/2nd Grade; Below grade level Anticipated Lesson Duration: 45 Minutes Lesson Foundations Pre-assessment (including cognitive and noncognitive measures): All students are reading below grade level (5-7 months) as measured by standardized assessments and teacher observation Curricular Focus, Theme, or Subject Area: Reading: Fluency, word recognition, and comprehension State/District Standards: Learning Objectives: Students will develop
Branding in Service Markets Amp Aim And Objectives Themes for AMP Characteristics Composing Branding Concept Branding Evolution S-D Logic and Service Markets Branding Challenges in Service Markets Considerations for Effective Service Branding Categories and Themes Branding Theory Evolution S-D Logic and Service Markets Branding Challenges in Service Markets Considerations for Effective Service Branding Branding Concept Characteristics Characteristics Composing Branding Concept Sampling of Studies Reviewed Evolution of Branding Theory Evolution of Marketing Service-Brand-Relationship-Value Triangle Brand Identity, Position & Image Just as marketing increasingly influences most aspects of the consumer's lives, brands
Robert Rauschenberg, premier American visual artist, saw things differently than the ordinary human being. For Rauschenberg, mundane matter can be magically transformed onto canvas to convey something entirely different than it was intended for. Rauschenberg's works include elements of everyday life from street signs to magazine clippings. A Rauschenberg canvas begs the viewer to see things as Rauschenberg does: with humor, insight, and creativity. Born in 1925 in Texas, Rauschenberg studied