Young Werther is perhaps an extreme case of love gone wrong. Indeed, while it is not normal or reasonable for people to kill themselves when a person they lust for is already spoken for, it does indeed happen even in the modern age. This book by Werther is set in a time not long after the United States Revolution, more than two hundred years ago, but the parallels and morality questions posed by the book are still relevant and important and thus can easily be analyzed and assessed through a modern prism as well as a historical one. The author of this report shall cover a number of perspectives about the book including the sensitivity of Werther, the overall psychological state of Werther, his propensity to compare himself to a child and how society perhaps contributed to the tragic choice that Werther eventually made and how precisely that choice manifested and was executed (Goethe).
Book Snippets
The sensitivity of Werther becomes obvious and apparent early on in the Goethe text. This is apparent with the way he speaks. Even though he was of a different age and time, his speech patterns and the way he describes people is clearly indicative of someone who is extremely passionate, emotional and sensitive. Werther himself uses the word "artist" when he describes his mindset and viewpoints. He falls very hard for who turns out to be Lotte right away. After just the first meeting of the woman, he writes in a letter "I left the woman with regret, giving each of the children a Kreutzer, with an additional one for the youngest, to buy some wheaten bread for his broth when she went to town next: and so we parted (Goethe, 2008, p. 18). He then immediately describes how he would go that general area more frequently thereafter as a means to run into the woman again (Goethe, 2008, p. 18). Not even a month later, he elucidates his sensitivity and just how quickly he has fallen for the woman when he writes "everybody so describes their mistress" and "I could not restrain myself -- go to her I must (Goethe, 2008, p. 20).
However, as the book progresses the depth of his obsession gets deeper and deeper. The letter sent on the evening of October 27th proves that. Consisting of only two sentences, he states "I possess so much, but my love for her absorbs it all. I possess so much, but without her I have nothing" (Goethe, 2008, p. 75). For Werther to say that of a woman who is clearly taken is a bit off-putting and unstable. Indeed, this mood does not subside with time as it only gets worse. On November 3rd, he states "Witness, heaven, how often I lie down in my bed with a wish, and even a hope, that I may never awaken again" (Goethe, 2008, p. 75). He does seem to realize his mindset is self-inflicted. Also in the November 3rd letter, he says "I am alone the cause of my own woe, am I not?" (Goethe, 2008, p. 75).
However, Werther is further off of the proverbial rails when he keeps referring to himself and his plight in terms of that a child. On July 8th, he references how and whether Charlotte is looking at him. His very first stanza in that letter is "what a child is man that he should be so solicitous about a look." Further, he signs off by saying "Goodnight -- what a child I am" (Goethe, 2008, p. 34). Not dissimilar from before, he self-realizes when speaking about being child-like when he says on August 8th that "to have seen my position so clearly, and yet to have acted like such a child!" (Goethe, 2008, p. 40).
When it comes to societal expectations regarding the verboten feelings that Werther has about a fiancee of someone else and, eventually, the husband of that same woman after she is married, Werther uses the prior-mentioned term "mistress" at several points within his series of letters. He makes these references in both metaphorical and literal terms. The first major examples occurs on the letter written on May 10th when he says "and then, my friend, when darkness overspreads my eyes, and heaven and earth seem to dwell in my soul and absorb its power, like the form of a beloved mistress -- then I often think with longing, Oh, would I could describe these conceptions, could impress upon paper all that is living so full and warm within me, that it might be the mirror...
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