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Genre
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What is Genre?

Genre is a foundational concept in the arts, referring to the categories and conventions that organize creative works — whether in literature, film, visual art, or performance. Students encounter genre across disciplines including literary studies, film studies, art history, and cultural criticism. What makes it academically interesting is the tension between genre as a stable set of rules and genre as a living, evolving form shaped by audience expectations, social context, and artistic innovation. The works and movements appearing in this body of student writing — from Rococo and Neoclassical painting to lowbrow art, from dime novels to Western film, from short fiction to hip-hop and street dance — reflect just how broadly genre operates across the arts.

The papers here approach genre from several distinct angles. Some take a comparative approach, placing two works or styles side by side to examine how each handles form and convention, as seen in analyses pairing short stories or contrasting artistic movements. Others focus on a single genre — the Western film, the crime novel, the short story — tracing its defining characteristics and cultural role. Case-study analysis is also common, with writers using a specific work or artist to illuminate broader genre questions. A few papers address how genre intersects with social change, looking at how shifting audiences and cultural moments reshape artistic categories.

A strong essay on genre establishes a clear, arguable thesis about what a genre does, not just what it is. Evidence drawn from close reading of specific texts, films, or artworks carries the most weight. One common pitfall is treating genre as a fixed checklist rather than a dynamic framework — strong essays acknowledge that the most interesting works often push against or redefine the conventions they inherit.

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Paper Undergraduate
La Strada, Umberto D, and Pickpocket: Italian and French Cinema
La Strada, (1954). Directed by Federico Fellini, Produced by Dino De Laurentis and Carlo Ponti. 104 minutes, Italian., B/W.
Research Paper Undergraduate
Beethoven's Life and His Nine Symphonies Explained
Beethoven (1770-1827) is considered by many as the greatest composer in the Western music tradition. His stature among music composers is such that his name is familiar even to people who do not listen to classical…
Paper Doctorate
Psychological Representation in Shadows, Cleo, and Memories
Psychological Representation of Characters
Research Paper Doctorate
Feminist Program Evaluation: Core Principles and Critique
Understanding Research & Research Methods in Social Work
Essay Doctorate
Symbolism in The Cask of Amontillado and U.S. National Debt
This paper compares the E.A. Poe story "The Cask of Amontillado" with the US National Debt. Symbolism in the story is used to show how it can be related to what is happening with the current debt crisis. The paper looks only at those two issues and does not discuss any other literary works or national problems.
Paper Undergraduate
Statistical Errors in Business Decisions: USA World Bank Case
From the development of new psychological treatments to the selection of the President of the United States, statistics have been used throughout history in order to cast predictions that helped progress the scientific,…
Paper Masters
Religious Expression and Symbolism in Pulp Fiction
When Quentin Tarantino's Pulp Fiction was released, it met with a storm of critical discussion. Some critics hated Tarantino's work, finding it unnecessarily and excessively violent, and suggesting that Tarantino's…
Research Paper Doctorate
National Ballet of China: History and Cultural Legacy
One of the world's top 10 ballet companies, the National Ballet of China was founded on December 31,1959 (CCTV 2005, Orange County 2005) and has, in the past four decades, consisted of generations of striving and gifted…
Thesis Doctorate
Berlin: Symphony of a Metropolis and Weimar Cinema
This essay considers the potential political and social message in Walter Ruttman's Berlin: Symphony of a Metropolis. Though Ruttman's message is subtle, one can see how he is disgusted by elite indifference to the plight of the public. By examining how he treats the avatar of official political power as well as the eating habits of the rich, one can see how Ruttman expresses the simultaneous excitement and anxiety of Modernity.
Paper Undergraduate
Frank Wedekind's Spring Awakening: Comedy or Tragedy?
There is an all-too-apparent human drive to classify and categorize things no matter how much they seem to resist such classification. This is especially evident in the sciences, where the ordering of the elements into…