Doubling In Frankenstein Mary Shelley's Essay

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It is through Shelley's doubling between Frankenstein and the Monster, and herself and Frankenstein and the Monster, that Freud's uncanny and psychological concepts of the id, ego, and superego can be analyzed. Shelley demonstrates how an individual's outward appearance is not necessarily representative of their character and at the same time is able to come to terms with the psychological traumas that plagued her -- from losing her own mother at childbirth to losing her own children shortly thereafter. Furthermore, Shelley is able to demonstrate how an imbalance between an individual's id, ego, and superego can influence behavior and is also able to demonstrate how each of these is formed, either through instinctual...

...

Ultimately, Shelley's understanding of the uncanny, and psychological constructs, paved the way for psychologists like Freud to investigate the constructs of fear and unease.
Works Cited

Freud, Sigmund. The Ego and the Id. 1923. Web. 2 May 2013.

-. "The Uncanny." 1919. Web. 2 May 2013.

Johnson, Barbara. "My Monster/My Self." Diacritics. Vol. 12. The Johns Hopkins University

Press, 1982, pp. 2-10. JSTOR. 2 May 2013.

McLeod, Saul. "Id, Ego and Superego." SimplyPsychology. 2008. Web. 2 May 2013.

Shelley, Mary. Frankenstein, or the Modern Prometheus. Project Gutenberg. Web. 2 May 2013.

Sources Used in Documents:

Works Cited

Freud, Sigmund. The Ego and the Id. 1923. Web. 2 May 2013.

-. "The Uncanny." 1919. Web. 2 May 2013.

Johnson, Barbara. "My Monster/My Self." Diacritics. Vol. 12. The Johns Hopkins University

Press, 1982, pp. 2-10. JSTOR. 2 May 2013.


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