The identity of a Geisha, and the origins of the profession has a great deal more to do with performance and skills in such than in any other aspect of the trade.
(1) Okada, Mariko. "Prolegomenon to Geisha as a Cultural Performer: Miyako Odori, The
Gion School and Representation of a Traditional" Japan." 2003.
http://dspace.wul.waseda.ac.jp/dspace/bitstream/2065/26765/1/034.pdf (accessed July 10,
2010) p. 223.
(2) Ibid. p. 224.
(3) Ibid. p. 223.
(4) Ibid.
(5) Graham-Diaz, Naomi. Immortal Geisha History of the Geisha, Part One: 1100 AD
1750 AD. October 2001. http://www.immortalgeisha.com/history_01.php (accessed July
10, 2010).
(6) Ibid.
(7) Okada, Mariko. "Prolegomenon to Geisha as a Cultural Performer: Miyako Odori, The
Gion School and Representation of a Traditional" Japan." 2003.
http://dspace.wul.waseda.ac.jp/dspace/bitstream/2065/26765/1/034.pdf (accessed July 10,
2010) p. 223.
(8) Ibid. p. 222.
(9) Ibid. p. 221.
(10) Chen, Li-Yu, and Lai On-Kwok. "Creativity and Hybridism of Cultures in a Globalizing
(11) Prasso, Sheridan. The Asian Mystique: Dragon Ladies, Geisha Girls and Our Fantasies
of the Exotic Orient. Perseus Book Group Cambridge MA. Cambridge MA: Perseus Book
Group, 2006. p. 216.
References
Chen, Li-Yu, and Lai On-Kwok. "Creativity and Hybridism of Cultures in a Globalizing World The Re-Production-cum-Consumption of Asian Local Idiosyncrasies." Journal of Policy Studies 31 (March 2009): 141-154.
Graham-Diaz, Naomi. Immortal Geisha History of the Geisha, Part One: 1100 AD - 1750 AD. October 2001. http://www.immortalgeisha.com/history_01.php (accessed July 10, 2010).
Okada, Mariko. "Prolegomenon to Geisha as a Cultural Performer: Miyako Odori, The Gion School and Representation of a Traditional" Japan." 2003. http://dspace.wul.waseda.ac.jp/dspace/bitstream/2065/26765/1/034.pdf (accessed July 10, 2010).
Prasso, Sheridan. The Asian Mystique: Dragon Ladies, Geisha Girls and Our Fantasies of the Exotic Orient. Perseus Book Group Cambridge MA. Cambridge MA: Perseus Book Group, 2006.
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