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¶ … Hills Like White Elephants" -- Ernest Hemingway
Will the couple agree to an abortion?
Jig, the girlfriend, knows she is going to have to give in to the man and have the abortion, and there are hints and there is foreshadowing (albeit very subtle) that provide the clues. This paper reviews the subtleties and on pages 2 and 3 points to specific passages that suggest she will in fact give in to him and abort the baby.
Subtle Hints in the Narrative
The reader knows from a careful study of the short story that these two have traveled together and are very familiar with each other's positions on the issue at hand. It is obvious from the start that there is tension between the two, and the fact that a train is on its way adds to the heightened tension. Hemingway is well-known for his brilliant use of allegory, metaphor and imagery. Could the fact that the couple is seated between the train tracks suggest that the decision could go either way -- and that the author did not want to be definitive about the outcome because keeping critics and scholars guessing over the years will keep the story alive and even create an endless literary mystery?
In the first paragraph of the story there is a hint that the decision to abort or not to abort the child could go either way and that both avenues are wide open to the pair. "…There was no shade and no trees and the station was between two lines of rails in the sun." The sun was beating down on the train station area like a spotlight -- hence the only place to hide from the reality of making a decision was in the shade created by the building.
Since setting is relevant to the deeper meaning of a story, including this one, it can also be suggested that her goals are pure....
She sees white and that is the color of a baby just emerging from the womb of a Caucasian woman. Indeed it is Jig, the woman, who sees white hills that look like elephants. "The girl was looking off at the line of hills. They were white in the sun and the country was brown and dry," Hemingway writes.
The fact that she said the Anis del Toro tastes like liquorice ("Toro" is Spanish for "bull"), and that "…everything tastes of liquorice. Especially all the things you've waited so long for, like absinthe," shows a sarcastic side of her. She hasn't waited for absinthe -- she has waited to have a child, which every woman with strong maternal instincts waits patiently for.
Three Supporting Examples
ONE: Jig is worrying that an abortion will change their relationship. This is a perfectly natural thing for a woman to worry about. If I go ahead, she asks, and if she has an abortion "…things will be like they were and you'll love me?" An alert reader knows things are never quite like they were, and it is impossible to go back to the beginning of their romance which likely was very hot and sweet. She is saying, okay I'll do it but please love me. His answer is non-committal vis-a-vis what he might be like after the baby is aborted. "I love you now," is not saying sure I will love you then. And "You know I love you" seems more like a defensive mechanism than a sincere promise. It's like saying "Of course I love you…" which is not a very sincere or romantic way of assuring one's partner that love is true and will remain steadfast.
She wants to know that "…it will be nice again if I say things are like white elephants, and you'll like it?" In other words, she is asking if he will change and not be negative to things she says like…
Works Cited
Hemingway, Ernest. "Hills Like White Elephants." Men Without Women. New York: Simon
and Schuster, 2002.
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post: Hills Like White Elephants Ernest Hemingway's short story "Hills Like White Elephants" revolves around the dialogue of a young woman and a man, obviously lovers, who are discussing the woman's pending abortion. The woman does not want to have an abortion; the man wants her to do so. She sees his not-so-subtle lack of enthusiasm about her pregnancy as an example of how he does not care about her.
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