An integrated system was used in buildings where columns, pilasters, and entablatures came together as support. Arches were also used in building churches and other such structures. Semi-circular or segmental vaults were used which were mostly without ribs. In this era domes were not only used in churches but they were also used in building secular structures. Doors and windows usually had square lintels in the buildings of the

From approximately 1930 until the 1980s, rectangular and functional spaces were the chief form of architecture around the world in general. The latter part of the 20th century -- the 1980s onward -- saw change once again, however (2008). For the most part, 20th century architecture, however, "focused on machine aesthetics or functionality and failed to incorporate any ornamental accents in the structure" (2008). The designs were, for the

The history from the Renaissance to the Machine Age was defined by major technical and stylistic advances that allowed for much larger, taller, more elegant buildings, and higher degrees of functionality and architectural expression. In cultural and scientific matters, the Modern Era was characterized by an increasingly rationalistic trajectory of thought which was based on an ethos of the humanistic exploration of reality and truth. While in a cultural sense

Elements like "exposed concrete beams, flat roofs, and large metal windows" are signature elements of both Villa Tegendhat and the Eames House (Neumann 88). What these structures do is to reduce the gap between commercial and personal, between home space and work space. After all, the Eames House was erected as a working studio by its own architectural team. It is a literal fusion of form and function; it

This indicates the open and natural lines of the American prairie fields. A very interesting element of the Robie House design is that it has neither a basement nor an attic; the latter was omitted to perpetuate the visual element of the horizontal represented by the house, while the former was omitted for the simple reason that Wright found it aesthetically unpleasant. Instead, the communication of the house with the

Architecture and Linguistics Classical architecture can be described within the context of a linguistic model. Architecture and grammar are commonly described in terms of each other, and a deeper investigation reveals the strong conceptual relations between the two fields. As linguistic grammar comes from rules of the combination of words in sentences, a type of architectural grammar comes from the rules that relate to the combination of rooms within buildings. Further,