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Medea: A Woman Scorned Only An Extraordinary Term Paper

Medea: A Woman Scorned Only an extraordinary woman is capable of killing her own children, whether to save them from something worse or not. Euripides confronts ancient Greece with a woman who is exceptionally intelligent. And also angry because her husband has unfairly left her for a younger, more beautiful woman who can help him get ahead and "gain wealth and power" for himself and his sons. She helped him get the Golden Fleece, left her own country and family for his, killed her own brother in order to save him when they were on the ship, and bore him two sons. After all Medea has done for him, Jason reveals himself as weak and rather stupid, really, when he fails to appreciate Medea's sacrifices and the depth of her loyalty and passion for him. Her feelings about his abandonment begin with grief and suicidal thoughts: "That lightening from heaven would split my head open. Oh, what use have I now for life? I would find my release in death and leave hateful existence behind me" (747) and progress to murderous fury and rage. The saying "Hell hath no fury like a woman scorned" certainly applies to Medea. As the children's nurse describes...

now there's hatred everywhere. Love is diseased" (744).
Because Medea lives in a culture where women have no rights, she cannot fight back openly. Instead, she has to scheme. The nurse describes her nature as full of "wildness," with a "bitter nature," and "proud hearted." Feminists might point out that she is the kind of woman most endangered in a patriarchal society where women are required to be compliant, soft-spoken, and long-suffering. Later on, women like Medea, who can't accept subservient roles, will be confined in mental institutions. The nurse implies that "greatness" has done no good to Medea, a princess and sorceress, who has not learned to be humble or moderate. Medea is disillusioned. She believed her marriage to Jason would be forever. She says, "It was everything to me to think well of one man, and he, my own husband, has turned out wholly vile" (749). She goes on to say that women are the "most unfortunate creatures" because they must pay for a husband and "take for our bodies a master; for not to take one is even worse" (750). She cannot escape from him. When a man gets bored with his…

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Euripides. "Media." The Norton Anthology of World Masterpieces. Ed. Bernard M.W. Knox.

New York W.W. Norton & Company, 1985, 743-777.
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