¶ … Nonexistent Knight is a character driven narrative and, therefore, should be summarized within the framework of those characters and their exploits throughout the novella. The titular character, the nonexistent knight, Agilulf, who exists not in the flesh but in a suit of armor, seeks to restore his honor by confirming that his good deed that earned him his knighthood, saving the virginity of a young royal woman from the lecherous ways of two brutes, did indeed happen per his recollection. The youth, Raimbaut, is a young knight in the making who falls in love with a dastardly lady knight. The lady knight, Bradamante, falls in love with the chivalric and impeccably noble ways of the nonexistent knight and sets up a love triangle of sorts. Then there's Torrismund, another knight, who ends up falling in love with a woman that was at one point thought to be his mother. Lastly, there's the nihilistic narrator, a nun, who is full of vim and verve and a dolt called Gurduloo who exists, but does not know he exists. In short, the Nonexistent Knight is a satiric rendering of a medieval tale that aims to explore, among other things, the existential underpinnings of life. Historical and Aesthetic Content

To know something about Italo Calvino is to know something about magic realism and post-modernism. While both tropes are manifested in the pages of the Nonexistent Knight, perhaps it would be better to understand the book as an extension of a special genre of parody novels, novellas, essays, that are at once both serious and silly. Serious in terms...

Instead it is a humorous tale told from the perspective of a nun, in a language brimming with aphorisms and philosophical complexities (Markey 76).
Major Themes Motifs And Symbolism

What is most compelling (at least to this reader) is the laugh-out-loud humor throughout the novella. Some of the humor is low-bro, slapstick humor, cheap laughs and fart jokes, "He rubbed the aching part, jumped up, began whistling, broke into a run, flung himself into the bushes, let out a fart, another, then vanished," some of it is wrought from a deep understanding of human relationships, "nothing disfigures a woman's face like the first ray of dawn," and some of it relies on the adroit articulation of Calvino's prose, which holds a fair balance between the action of the scene and the high diction in which it is described, "She was a woman of harmonious moons, tender plumage, and gentle waves. Raimbaut fell head over heels in love with her on the spot (Calvino 32, 103, 46).

With that said, the humor that is most striking is the symbolic humor, or representational humor, fraught throughout its pages. And due to the many layers of the novel, different characters stand for different things at different times. A great example of this would be the nonexistent knight, who is a symbol of chivalric perfection. Thusly,…