Character Comparison Comparison: Revenge and its Motivators in Frankenstein and Wuthering Heights Mary Shelley's Frankenstein and Emily Bronte's Wuthering Heights are two of the most significant literary works in history, both maintaining the ability to remain successful and relevant far beyond the years immediately following their respective publications. While each novel is exceedingly different from one another, with one focusing on the perils brought about by a man-made monster who seeks to

Revenge Edgar Allen Poe's "The Cask of Amontillado," Andre Dubus's "Killings," and Louise Eldrich's "Fleur" are all short stories about revenge. Although they treat the theme of revenge differently, the authors show that the exacting of revenge can indeed be a satisfying finale to a life consumed by tragedy. In each of these three short stories, revenge is depicted as an act that fulfills the protagonists' deepest need. Therefore, guilt does

The inclusion of an immortal spirit as a key catalytic character in the play underscores Shakespeare's intention. Hamlet states, "For this same lord, / I do repent…I must be their scourge and minister," (Act III, Scene 4). Here, Hamlet clearly sees himself placed in the unfortunate roll of champion of spiritual justice. Antigone is perhaps even more directly concerned with spiritual matters than with mundane law. The realm of human

He simply cannot escape these expectations. So, when Robert DeNiro takes on a comedic role, such as the role of the potential father-in-law in Meet the Parents, the moment he comes on the screen, the audience is aware that he is Robert DeNiro, in addition to the character that is being portrayed. Therefore, his character can do things that other characters could not. Who but Robert DeNiro could portray

Revenge is contagious. Titus begins the wave of revenge when he sacrifices Tamora's son. Her reaction demonstrates her humanity in a sense. She is outraged, vows revenge and schemes with Aaron to frame Titus' sons for murder. Revenge is more than simply "getting even" in some cases. For Tamora, revenge involves getting even but doing so in the most painful of ways. Her request for her boys to do away

Jay Gatsby is the central, enigmatic focus of F. Scott Fitzgerald's The Great Gatsby. When the reader first meets Gatsby, it is through the description of Nick Carraway, who notes that his neighbor of the less fashionable (i.e. 'new money') area of West Egg, Long Island has purchased a palatial mansion. Every weekend, people in motor cars come to Gatsby's parties; every Monday, the staff cleans up the debris. No